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Young Frankenstein
Victor Frankenstein's grandson, a neurosurgeon, has spent his life living down the legend of his grandfather. He tries to prove people that he is not insane. Lucks come his way when he inherits the castle of his grandfather and discovers the process that reanimates a dead body from the lab.
12 November 1916, New Jersey, USA
6 March 1916, Los Angeles, California, USA
24 September 1927, Lee-on-Solent, England, UK
July 23, 1920
12 May 1918, Budapest, Austria-Hungary [now Hungary]
4 April 1935, Chicago, Illinois, USA
28 November 1901, Torreon, Coahuila, Mexico
20 April 1933
3 December 1918
September 11, 1919 in Essex, England, UK
30 October 1939, New York City, New York, USA
14 March 1900, Mexico
20 January 1896, New York City, New York, USA
16 October 1912, San Antonio, Texas, USA
7 August 1902, New York City, New York, USA
29 September 1942, Boston, Massachusetts, USA
10 March 1905, Camberwell, London, England, UK
30 January 1930, San Bernardino, California, USA
13 August 1934, London, England, UK
3 June 1901, Calabria, Italy
6 October 1930, USA
April 25, 2014
It's a wonderful, iconic comedy. Mel Brooks' masterpiece!
January 02, 2011
Brooks' corniness yields plenty of belly laughs.
August 17, 2012
Thus funny, well acted parody of Unievrsal horror films of the 1930s is without a doubt Mel Brooks' best picture.
June 18, 2016
The Brooks of 'Young Frankenstein' isn't really skewering the conventions of the horror movie - he's paying tribute to them, and using them as scaffolding for his particular brand of goofy, Borscht Belt burlesque.
October 16, 2013
One of Mel Brooks' most brilliant and immortal cinematic works to date...
June 24, 2006
For a really delightful parody, James Whale's own Bride of Frankenstein is far better value.
June 20, 2015
... Brooks reveal(s) himself a true obsédé and an honorable heir to the eerily delicate comic-horror tradition of James Whale.
October 03, 2015
It is good-natured, lowbrow, backlot, hit-or-miss humor, but with no cumulative effect beyond its succession of hard-worked jokes.
October 23, 2004
It shows artistic growth and a more sure-handed control of the material by a director who once seemed willing to do literally anything for a laugh. It's more confident and less breathless.
May 20, 2003
Some of the gags don't work, but fewer than in any previous Brooks film that I've seen, and when the jokes are meant to be bad, they are riotously poor. What more can one ask of Mel Brooks?
June 04, 2007
More about the myth of Karloff than the monster, this Mel Brooks pastiche is probably his best early film.
January 15, 2013
Wilder's hysteria seems perfectly natural. You never question what's driving him to it; his fits are lucid and total. They take him into a different dimension -- he delivers what Harpo promised.
