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The Last Command
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The breadth of Josef von Sternberg's satire is laid out in the passage at William Powell's office, where the elegant axis is complemented by sang-froid gagwork.
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German Emil Jannings became the first Oscar winner, when he won Best Actor for this as well as The Way of All Flesh; here he plays a former Russian General turned extra who goes mad when asked to recreate the Revolution in a movie
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Jannings is a forceful screen presence and his characterization of the general is impressive in its oscillation between power and loss
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Brilliant silent.
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Sternberg uses the [acting] contrast to differentiate the sides of the battle, emphasize the class difference and create a dynamic of old Europe and new.
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March 25, 2006

If there are moments when Mr. Jannings holds the same expression and pose too long, you are rewarded for the most part with a brilliant performance in which there is a wealth of imagination.
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TV Guide
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February 27, 2013

One of acclaimed German actor Emil Jannings' first American pictures, directed by Austrian expatriate Josef von Sternberg and tailor-made to suit Jannings' skills and screen persona.
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The New Republic
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February 27, 2013

Sternberg is a true master.
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Chicago Reader
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January 01, 2000

Sternberg's direction makes this second only to The Docks of New York as the most accomplished of his silent films.
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The Skinny
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June 01, 2016

Though the action moves in a predictable direction, Jannings' anguished breakdown makes for a compelling pay off.
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Time Out
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June 24, 2006

The sheer sophistication of Sternberg's visuals makes nearly all current releases look old-fashioned.
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Variety
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March 26, 2009

Plenty of direction and as much photography. There doesn't appear to be a miss or skip either.
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