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The Docks of New York
Description
A crime-dramatic story follows Bill Roberts who fills in as a stocker But it appears to be awkward for him as a specialist adrift on the grounds that the manager, who is known to make the most of their distress and provocation. Bill leaves the ship to see a young lady endeavoring to sink, who is by all accounts attempting to confer suicide. Bill endeavors to spare her, taking her to the parlor. Lately, they have a romantic love story.
A crime-dramatic story follows Bill Roberts who fills in as a stocker But it appears to be awkward for him as a specialist adrift on the grounds that the manager, who is known to make the most of their distress and provocation. Bill leaves the ship to see a young lady endeavoring to sink, who is by all accounts attempting to confer suicide. Bill endeavors to spare her, taking her to the parlor. Lately, they have a romantic love story.
Actors:
Clyde Cook,
George Bancroft,
Mitchell Lewis,
Gustav von Seyffertitz,
Olga Baclanova,
Betty Compson
Clyde Cook
George Bancroft
30 September 1882, Philadelphia, Pennsylvania, USA
Mitchell Lewis
Gustav von Seyffertitz
4 August 1863, Haimhausen, Dachau, Bavaria [now Bavaria, Germany]
Olga Baclanova
19 August 1893, Russia
Betty Compson
Director:
Josef von Sternberg
Country:
United States
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February 27, 2009
Von Sternberg is a director of situations, not of suspense -- it is his mastery of the subtle eye-line interplay of silent cinema, his command of mise-en-scene and mood, that makes the love between these characters credible.
May 24, 2007
Seedy waterfront silent melodrama that sizzles with a smoky atmosphere.
October 16, 2007
The Docks of New York is really a director's and cinematographer's picture if ever there was one and on that account it's nothing less than masterly.
September 04, 2010
... a turn-of-the-century bowery answer to Sunrise, with a romantic idealism fighting its way out of hard-scrabble lives and resigned characters of the waterfront culture.
February 20, 2009
In other hands, this could have been a pretty ordinary dimestore romance, but Sternberg gives it depth and, as a result, greatness.
October 16, 2007
It's a corking program picture, thanks to George Bancroft, a good story and Julian Johnson's titles.
August 28, 2010
visually evocative and narratively intriguing, such that even its generally terrible ending can't quite undermine the overall sense that you have just seen something profoundly of its time and ahead of it
February 27, 2013
Sternberg suppresses direct emotional appeal to concentrate on something infinitely fine: a series of minute, discrete moral discoveries and philosophical realignments among his characters.
September 19, 2014
The film's romantic fatalism is compelling, and von Sternberg creates some stunning imagery out of his lowlife settings.
September 19, 2014
Josef von Sternberg enjoys a challenge, so he pulls into Borzage's waterfront to suppress and heighten emotionalism with sang-froid deadpans.
October 16, 2007
It fulfills their requirements, somewhat obscure to this reviewer, of rhythm, plasticity and unity. In simpler and more popular terms, it seems to be exceptionally good motion picture entertainment.
March 16, 2010
In a way lost to contemporary social-work movies, von Sternberg's unsentimental poetic realism ennobles his lower-class protagonists through beauty. Classic.
