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The Docks of New York
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The Docks of New York

Description
A crime-dramatic story follows Bill Roberts who fills in as a stocker But it appears to be awkward for him as a specialist adrift on the grounds that the manager, who is known to make the most of their distress and provocation. Bill leaves the ship to see a young lady endeavoring to sink, who is by all accounts attempting to confer suicide. Bill endeavors to spare her, taking her to the parlor. Lately, they have a romantic love story.
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The Docks of New York
CRITICS OF "The Docks of New York"
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Not Coming to a Theater Near You
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February 27, 2009

Von Sternberg is a director of situations, not of suspense -- it is his mastery of the subtle eye-line interplay of silent cinema, his command of mise-en-scene and mood, that makes the love between these characters credible.
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Ozus' World Movie Reviews
Resource

May 24, 2007

Seedy waterfront silent melodrama that sizzles with a smoky atmosphere.
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TV Guide
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October 16, 2007

The Docks of New York is really a director's and cinematographer's picture if ever there was one and on that account it's nothing less than masterly.
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Parallax View
Resource

September 04, 2010

... a turn-of-the-century bowery answer to Sunrise, with a romantic idealism fighting its way out of hard-scrabble lives and resigned characters of the waterfront culture.
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Combustible Celluloid
Resource

February 20, 2009

In other hands, this could have been a pretty ordinary dimestore romance, but Sternberg gives it depth and, as a result, greatness.
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Variety
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October 16, 2007

It's a corking program picture, thanks to George Bancroft, a good story and Julian Johnson's titles.
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Q Network Film Desk
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August 28, 2010

visually evocative and narratively intriguing, such that even its generally terrible ending can't quite undermine the overall sense that you have just seen something profoundly of its time and ahead of it
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Chicago Reader
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February 27, 2013

Sternberg suppresses direct emotional appeal to concentrate on something infinitely fine: a series of minute, discrete moral discoveries and philosophical realignments among his characters.
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Radio Times
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September 19, 2014

The film's romantic fatalism is compelling, and von Sternberg creates some stunning imagery out of his lowlife settings.
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CinePassion
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September 19, 2014

Josef von Sternberg enjoys a challenge, so he pulls into Borzage's waterfront to suppress and heighten emotionalism with sang-froid deadpans.
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New York Times
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October 16, 2007

It fulfills their requirements, somewhat obscure to this reviewer, of rhythm, plasticity and unity. In simpler and more popular terms, it seems to be exceptionally good motion picture entertainment.
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Village Voice
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March 16, 2010

In a way lost to contemporary social-work movies, von Sternberg's unsentimental poetic realism ennobles his lower-class protagonists through beauty. Classic.
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