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The Good, the Bad, the Weird
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The Good, the Bad, the Weird

Description
In the desert wilderness in 1939, Park Chang-yi The Bad is hired to steal a treasure map from a Japanese offical traveling by train. Meanwhile, Yoon Tea-goo the Weird, who is a master thief, involves in the case and takes it before The Bad does. Park Do-won The Good, who is a bounty hunter, has a mission of stopping them and saving the treasure map. Involving in the chase are the Japanese Army and the Chinese bandits.
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DIRECTORS OF "The Good, the Bad, the Weird"
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CREATORS OF "The Good, the Bad, the Weird"
The Good, the Bad, the Weird
CRITICS OF "The Good, the Bad, the Weird"
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Seanax.com
Resource

September 04, 2010

... a madcap chase for a treasure map filled with double crosses, crazy escapes and lots of black humor.
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eFilmCritic.com
Resource

July 24, 2010

'The Good, the Bad, the Weird' offers a bizarre but intoxicating synthesis of silliness and awe.
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Jam! Movies
Resource

August 06, 2010

This is an object example of every dollar being on the screen.
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Tiny Mix Tapes
Resource

June 08, 2016

It isn't the film's style-over-substance approach that prevents it from being as engaging and entertaining as it desires; it's the lack of cohesiveness and discernible rhythm.
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CinemaBlend.com
Resource

August 18, 2010

This film was a total blast from start to finish! It's more than Good, has little that is Bad, and is filled with the Weird.
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San Francisco Chronicle
Resource

May 07, 2010

Kimchi Westerns, anyone?
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What Culture
Resource

March 24, 2011

The most amazing silliness I've seen in ages.
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Toronto Star
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August 06, 2010

Imagine the sparseness of classic oaters matched with the energy of martial arts movies and you've got what Kim Jee-won has wrought.
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Seattle Times
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May 06, 2010

If you're going to attempt an ambitious action epic, you'd better have the directorial chops to pull it off. Kim clearly doesn't.
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Philadelphia Inquirer
Resource

May 06, 2010

A giddy mashup of Sergio Leone's spaghetti westerns and Lucas and Spielberg's Indiana Jones romps, this guns-a-blazing wide-screen Korean hit offers a nuttily staged, beautifully filmed, but kind of brainless homage to old-school Hollywood.
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Chicago Reader
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May 07, 2010

With a nod and a wink to Sergio Leone, South Korean filmmaker Kim Jee-woon delivers a slam-bang western set in Manchuria after the Japanese invasion in 1931.
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Minneapolis Star Tribune
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May 13, 2010

Thrill-seekers, rejoice. Here's the summer blockbuster you've been waiting for -- no, dreaming of. The Good, the Bad, the Weird is to Hollywood's puny efforts what the Large Hadron Collider is to a Hula Hoop.
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