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I Saw the Devil
After the killing of his fiancée, a secret agent, struggles against finding out the serial killer, whose victims are all from women and children, as he gives a sacred oath to revenge from him, even if he breaks the rules and turns into a killer himself, the thing that makes him struggle and face many challenges in doing so.
7 April 1957, Korea
5 May 1987, South Korea
June 22, 2013
It's a terrible time at the movies, and for that it is truly quite great. But you've been warned.
January 23, 2012
In filmmaker Kim Jee-woon's latest offering, the generous runtime begins with narrative promise but soon settles for near-ridiculous plot twists in order set up the next sadistic rape, murder, torture or terror most foul.
September 28, 2012
A revenge flick that's just about as uncompromising as anything I've seen come out of Asia in the last decade or so.
April 20, 2015
As a living and breathing piece of cinema, it inhabits its beast in a manner that is arresting on the mind, and almost cringe-inducing to the eyes.
January 13, 2013
A thriller that makes you wish you knew how to scream "O.M.G." in Korean.
March 25, 2011
A terrific but uncompromising film that's definitely not for everyone. It's not just that the violence is graphic, but that much of it is so mean-spirited.
November 11, 2013
Thanks to the strong directing we get a handful of really fantastic scenes and a number of thrills, which make this a wholly enjoyable film.
April 27, 2011
A remorseless catalogue of calculated violence, casual cannibalism and sexual sadism, this inflicts over two hours of suffering on the audience...
March 18, 2011
After a while, the sheer length and repetitiousness of the film begins to feel pornographic in the dullest sense.
March 18, 2011
Director Kim Jee-woon is a born filmmaker, even if this script (written by Park Hoon Jung and adapted by Kim) is unworthy of his efforts.
April 13, 2011
We lucky westerners get to see it in all its hair-raising, stomach-churning glory, and that's a wonderful thing.
April 15, 2011
This is the stuff of nightmares, where even the good guy is bad, and as shock cinema goes, it packs a punch.

