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The Giver
A young boy is selected to get to know about sadness and bliss of the actual world from an old man titled The Giver. He hastily grasps that his community is a fraud. So he makes some hard decisions related to his life.
16 August 1993, Santa Monica, California, USA
25 August 1976, Stockholm, Stockholms län, Sweden
13 December 1989, Reading, Pennsylvania, USA
4 December 1949, Los Angeles, California, USA
18 December 1978, Toledo, Ohio, USA
12 May 1997, Haifa, Israel
10 August 1989, Cairns, Queensland, Australia
8 June 1965, Connecticut, USA
6 November 1964, Sikeston, Missouri, USA
April 13, 2015
A seriously flawed adaptation of a wonderful book that tries to focus too heavily on elements best left to more recent post-apocalyptic adventures instead of the bittersweet agony of Lois Lowry's original story.
January 21, 2015
Due to its relentless action-film momentum, much of the book's central themes of humanity and love conquering all are entirely lost.
April 12, 2016
An experience not unlike downloading a once trendy pop song on iTunes, only to discover it's been feebly re-recorded.
March 30, 2015
Wrapped in an exciting movie with beautiful special effects, 'The Giver' makes the case for the beauty of grown-up freedom.
August 15, 2014
As Jonas, Brenton Thwaites brings thoughtful wonder to the role of a young man who is thrilled and frightened by what he learns.
June 21, 2015
Another adaptation of a popular young adult novel
September 22, 2016
Noyce tries to thread the needle by hewing close to his source material while peppering in some grander-scale sci-fi business to keep things moving. It doesn't remotely work.
August 15, 2014
The magic gets lost in translation.
May 16, 2017
A sober vision of very American traumas that fly over wild individualism and old fears that continue to permeate. [Full review in Spanish]
August 15, 2014
The Giver is more simple and raw than the rest of today's teen dystopias that try to cram in unnecessary backstory and love triangles.
August 18, 2014
For much of the movie, viewers will be asking themselves where the conflict is. And, by extension, the drama.
