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What Happened to Monday?
In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
1984, Lagos, Nigeria
21 December 1986
16 January 1983, The Hague, Zuid-Holland, Netherlands
24 May 1981, Paris, France
1973
28 December 1979, Hudiksvall, Gävleborgs län, Sweden
1980, Moss, Norway
7 August 1978, Bucharest, Romania
22 July 1955, Appleton, Wisconsin, USA
17 July 1982, Bergen, Hordaland, Norway
August 17, 2017
[Tommy Wirkola] keeps What Happened to Monday moving quickly enough that it's relatively easy to overlook the problems in its conceptualization.
August 15, 2017
You know you've done something remarkable when you make a Nazi zombie film and your follow-up is less believable.
August 16, 2017
Silly, fast-paced, fun. Noomi Rapace hasn't been this charismatic since THE GIRL WITH THE DRAGON TATTOO.
August 20, 2017
This is a B-movie through and through, with a taste for whoop-ass. Is the action good? Well, in the beginning, at least.
August 17, 2017
Twisty and pitiless, but it retains Wirkola's interests in aggressive confrontations, often sold with subtle cheekiness.
August 17, 2017
The disappointment of what What Happened to Monday could have been dogs this movie as it navigates safe, predictable roads through an unsurprising twist to a preordained ending.
August 18, 2017
It's fun to watch Noomi Rapace act against herself six times over and her game performances in the midst of fast-paced action make "What Happened to Monday?" a mostly enjoyable thriller.
August 18, 2017
Lands somewhere in a creative middle ground. Part fugitives-on-the-run thriller, part post-apocalyptic familial drama, Wirkola's latest is a perplexing amalgamation.
August 17, 2017
[Rapace] gives seven performances; at least four are good. It's an audition for smarter roles than Hollywood's been giving her, maybe. Or maybe it's a wigstore-raiding lark.
August 10, 2017
[Noomi Rapace] manages to turn a derivative sci-fi movie into something slightly more exciting.
August 17, 2017
The film isn't as provocative as it means to be, but it gets a lot of juice from Rapace's multifaceted performance and an "anything goes" approach to plot.
August 18, 2017
Wirkola stages a few excellent set pieces and Rapace is fantastic, but the general lack of entertainment value has to be considered disappointing given the potential of the entire piece.
