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Self/less
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Self/less

Description
In order to save his life and make a new experiment, a young wealthy businessman, who suffers from cancer and he is about to die, but he has one chance to live, accepts to transfer his consciousness to another strong and healthy body, but upon doing so, incidents come to climax, as he faces the dark secrets of that body.
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DIRECTORS OF "Self/less"
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HEROES OF "Self/less"
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CRITICS OF "Self/less"
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Cairo360
Resource

April 05, 2016

Favouring style-over-substance, there are no real or meaningful contributions to the sci-fi cause in Self/less which ends up being a forgettable affair.
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The Film Stage
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February 22, 2016

A slick, but dated and hollow jaunt through the ripple effects of over-reaching technology and the questions of morality that accompany such power.
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Japan Times
Resource

August 31, 2016

The story never manages to convince us that Damian may be at times changing because of some residual sense of Mark, and it never defines the moment when Damian decides to become a decent human being.
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Today's Zaman (Turkey)
Resource

March 01, 2016

There is no spark, identity or glimmer of freshness in this film. Let's put it this way, it has no sense of "self."
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NPR
Resource

July 12, 2015

Deep under the skin of this shrug of a movie is a solid metaphor rooted in an appealing fantasy.
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Cinemixtape
Resource

April 17, 2016

Part debacle, part footnote, sure to remind viewers of the better films they could be watching if they weren't such lousy decision makers.
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Time Out
Resource

July 13, 2015

A sci-fi thriller so derivative of John Frankenheimer's masterfully paranoid Seconds it would be more accurate to call it Thirds, Tarsem Singh's Self/less is a generic waste of a clever idea.
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L.A. Weekly
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July 09, 2015

Self/less is so restrained that I wonder if somebody stole Tarsem Singh's body, too.
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Film Inquiry
Resource

January 09, 2017

Self/Less is a film which is watchable to a degree, if you ignore the overall plot and have it on in the background.
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New York Magazine/Vulture
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July 12, 2015

What starts out as an interesting exploration of identity soon gives way to the uninspired, generic action flick we had feared it always was.
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Globe and Mail
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July 13, 2015

Tarsem Singh has a reputation for making movies that are visually stunning but woefully inert and convoluted in their storytelling (see The Cell and The Fall). Singh's most recent film, Self/less, lives up to at least half of that reputation.
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