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John Q
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John Q

Description
John Archibald is a man who suffers greatly because of the lack of help he needs for a son who needs a transplant that may save his life. John is still suffering from his son's illness, finding that his medical insurance will not cover the cost of surgery needed by his child and that alternative government assistance is not available at the time because of the national health care crisis in America. The man decided to take an illegal action to get what he wanted by taking an emergency room in the hospital hostage in order to save his son's life.
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CREATORS OF "John Q"
John Q
CRITICS OF "John Q"
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Cinema Crazed
Resource

April 29, 2009

A hokey and often silly commentary about the medical industry, and corruption within the establishment.
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Star-Democrat (Easton, MD)
Resource

January 07, 2004

Instead of presenting the story and allowing us to draw our own conclusions, Cassavetes blatantly tells us what we should think.
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EmanuelLevy.Com
Resource

December 18, 2006

Social messages, simplistic action, and teary melodrama are manipulatively but unsuccessfully mixed in this picture, which tries to provide a "hard" look at an honest working-class man (Washington) who loses control while trying to save his child's life
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Common Sense Media

January 01, 2011

Thought-provoking. Too intense for young teens.
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eFilmCritic.com
Resource

September 24, 2007

The movie comes dangerously close to saying that the solution to a personal grievance is, well, terrorism, when you get right down to it.
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Arizona Republic

March 04, 2002

A sappy, melodramatic Denzel Washington vehicle that ensnares you in the standard hostage-movie scenario and doesn't let go until the director runs the whole playbook.
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Groucho Reviews
Resource

May 17, 2009

Strands good actors in mushy, movie-of-the-week material. [Blu-ray]
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L.A. Weekly
Resource

January 21, 2003

A coercive script by James Kearns, and some middling direction by Nick Cassavetes, can't rob the movie of an undeniable, headlong crowd-pleasing power as it tackles an issue that touches us all.
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New York Magazine/Vulture

February 24, 2002

It pulls out more stops than that old silent serial The Perils of Pauline. Unfortunately, it's a talkie.
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Entertainment Weekly
Resource

February 21, 2002

Cassavetes thinks he's making Dog Day Afternoon with a cause, but all he's done is to reduce everything he touches to a shrill, didactic cartoon.
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New York Observer

March 13, 2002

Manipulative sentimentality, contrived plot and phony climax.
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Minneapolis Star Tribune
Resource

November 06, 2002

A polemic in search of a plot.
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