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John Q
John Archibald is a man who suffers greatly because of the lack of help he needs for a son who needs a transplant that may save his life. John is still suffering from his son's illness, finding that his medical insurance will not cover the cost of surgery needed by his child and that alternative government assistance is not available at the time because of the national health care crisis in America. The man decided to take an illegal action to get what he wanted by taking an emergency room in the hospital hostage in order to save his son's life.
5 March 1974, New York City, New York, USA
23 January 1971, Prince Edward Island, Canada
3 July 1941, Philadelphia, Pennsylvania, USA
14 July 1970, Ottawa, Ontario, Canada
28 July 1973, Manhasset, New York, USA
21 March 1973, London, England, UK
25 May 1969, Aurora, Ohio, USA
8 November 1969, Bronx, New York, USA
21 July 1970, Santiago, Chile
14 September 1973, Queens, New York, USA
3 March 1964, Los Mochis, Sinaloa, Mexico
28 October 1970, Toronto, Ontario, Canada
28 April 1950, New Rochelle, New York, USA
29 August 1965, Columbus, Ohio, USA
19 November 1933, Brooklyn, New York, USA
April 29, 2009
A hokey and often silly commentary about the medical industry, and corruption within the establishment.
January 07, 2004
Instead of presenting the story and allowing us to draw our own conclusions, Cassavetes blatantly tells us what we should think.
December 18, 2006
Social messages, simplistic action, and teary melodrama are manipulatively but unsuccessfully mixed in this picture, which tries to provide a "hard" look at an honest working-class man (Washington) who loses control while trying to save his child's life
January 01, 2011
Thought-provoking. Too intense for young teens.
September 24, 2007
The movie comes dangerously close to saying that the solution to a personal grievance is, well, terrorism, when you get right down to it.
March 04, 2002
A sappy, melodramatic Denzel Washington vehicle that ensnares you in the standard hostage-movie scenario and doesn't let go until the director runs the whole playbook.
May 17, 2009
Strands good actors in mushy, movie-of-the-week material. [Blu-ray]
January 21, 2003
A coercive script by James Kearns, and some middling direction by Nick Cassavetes, can't rob the movie of an undeniable, headlong crowd-pleasing power as it tackles an issue that touches us all.
February 24, 2002
It pulls out more stops than that old silent serial The Perils of Pauline. Unfortunately, it's a talkie.
February 21, 2002
Cassavetes thinks he's making Dog Day Afternoon with a cause, but all he's done is to reduce everything he touches to a shrill, didactic cartoon.
March 13, 2002
Manipulative sentimentality, contrived plot and phony climax.
November 06, 2002
A polemic in search of a plot.
