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It Comes at Night
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DIRECTORS OF "It Comes at Night"
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It Comes at Night
CRITICS OF "It Comes at Night"
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Siete24.mx
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August 02, 2017

Recommended for those who like psychological horror and stories of the genre. [Full review in Spanish]
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Sight and Sound
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July 19, 2017

Shults's adoption of a more vicious mode sharpens his already discomfiting take on families in states of extreme duress in his debut feature Krisha.
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The Tyee (British Columbia)
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July 19, 2017

It Comes at Night is a serious affair, well constructed and performed, and certainly effective.
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The Ringer
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August 09, 2017

The movie has its flaws. But one of Shults's main triumphs is to get us to believe in the danger of the outside world as fiercely as his characters do.
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Cinemalogue.com
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July 28, 2017

The intimate film gets under the skin by examining paranoia, trust and fear of the unknown.
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TheWrap
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June 09, 2017

It's not a sexy apocalypse, with a disease that transforms everyone into really cool zombies. It's just death. And it's not an easily managed "Doomsday Preppers" scenario solved by bulk foods from Jim Bakker infomercials. It's just doom.
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New Zealand Herald
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August 03, 2017

When It Comes At Night came to an end, the entire audience collectively released the breath we'd all been inadvertently holding.
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The Atlantic
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June 09, 2017

A fairly straightforward post-apocalyptic story, tightly focused on human torment, but suffused with surprising, undeniably atmospheric sights and sounds.
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Detroit News
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June 09, 2017

Midway through "It Comes at Night" you might wonder where it's headed, and it seems Shults may have asked himself the same question. It's a breathless thriller that will leave you gasping until it finally runs out of air itself.
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San Francisco Chronicle
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June 08, 2017

In the absence of such answers, or the intimation of such answers, or even of characters in pursuit of answers, It Comes at Night begins to seem thin, a torment without purpose.
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Globe and Mail
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June 09, 2017

Scored intensely and photographed vividly, the electric film imagines a small slice of doomsday with horrific believability.
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New York Magazine/Vulture
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June 09, 2017

Edgerton gives another masterly minimalist performance, and Ejogo and Harrison are preternaturally alert.
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