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Detroit
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Detroit
CRITICS OF "Detroit"
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National Post
Resource

August 11, 2017

Bigelow's recent work is a cinema of big, difficult questions, but its cold treatment of trauma often leaves an empty impression, one that doesn't make the viewer understand or appreciate the moral implications of evil.
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National Catholic Reporter
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August 10, 2017

The intense dramatic violence in that small motel annex felt claustrophobic. Bigelow knows how to make you feel everything.
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The Mary Sue
Resource

August 10, 2017

Detroit is an important film for this moment in our country's history, and it's one that I'd recommend people see.
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SSG Syndicate
Resource

August 13, 2017

Sordid and sadistic, it's filled with so much excessive violence that it induces revulsion, emerging as exploitative, racial torture pornography.
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Spliced Personality
Resource

August 11, 2017

Yes, the movie's harrowing middle hour is almost too excruciating to endure. It upsets viewers and sends them streaming for the exits because it's supposed to.
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Christian Science Monitor
Resource

August 04, 2017

This may be the point that racist violence reduces its victims to an atrocious nothingness. But the unrelenting atrocity, so lacking in dramatic or emotional modulation, becomes numbing.
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Sacramento News & Review
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August 11, 2017

The final movement of Detroit feels more like the work of an awards-grubber, and exposes [Bigelow's] general awkwardness with warmth.
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The New Republic
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August 08, 2017

The violence in Detroit is gratuitous simply because there is so much of it and it is so profoundly repugnant.
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Globe and Mail
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August 04, 2017

Somewhere between a Straw Dogs-style "survive the night" home invasion narrative, Milgram experiment moral problem play and racial torture porn.
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Associated Press
Resource

August 03, 2017

It's hard to overstate just how visceral and harrowing an experience it is. Detroit is a well-made and evocative film that is also numbingly brutal with little to no reprieve.
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New York Observer
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August 04, 2017

Reteaming Bigelow and Boal, Detroit lacks the clarity of their previous collaborations but the ambitious period drama maintains their power to disturb, and question what it is to be an American.
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New Yorker
Resource

August 07, 2017

Bigelow doesn't have as original, as distinctive, as reflective a sense of cinematic drama as the extraordinary subject matter of "Detroit" requires.
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