EPISODE
Twin Peaks: The Return - Season 1
A Japanese man has come to the Twin Peaks not for any other reason than to look for his missing girlfriend. He contacts agent Cooper who has to properly think through the clues he has to locate the missing woman.
7 December 1982
23 January 1951, Detroit, Michigan, USA
8 July 1959, Fremont, Ohio, USA
21 October 1945, Miami Beach, Florida, USA
21 April 1954, Bountiful, Utah, USA
19 May 1979, Paris, France
25 April 1988, Woodland Hills, Los Angeles, California, USA
5 February 1962, Hollywood, Los Angeles, California, USA
19 April 1968, Granada Hills, California, USA
May 17, 1965 in Mercer, Pennsylvania, USA
21 May 1961, Moberly, Missouri, USA
6 November 1967, San Francisco, California, USA
28 September 1966, Los Angeles, California, USA
May 23, 2017
Confounding but still vintage Lynch.
May 23, 2017
90s cult fave reboot just as odd, arresting as the original.
May 23, 2017
Depending on your familiarity with David Lynch's body of work and your opinion of which, Twin Peaks' near-complete diversion from small town soap to full-fledged science-fiction horror will either come as a shock or natural progression.
May 22, 2017
Yes, it's weird. Yes, it's "Lynchian." But there's a lot more weirdness on TV than there was in 1990.
May 23, 2017
Twin Peaks: The Return jettisons the outdated premise of the white suburbs as a bastion of innocence. In fact, it leaves behind the series' namesake town for the bulk of the action -- and is much more compelling for it.
May 23, 2017
Twin Peaks remains the nightmare fuel it always has been.
May 22, 2017
From the first twang of Angelo Badalamenti's haunting theme music, it was as if Lynch was determined to remind all those shows indebted to Twin Peaks -- True Detective and Fargo, for example -- that no one does weird quite like him.
May 22, 2017
It may the more grounded plot strand that speaks loudest both to newcomers to the acid trip known as Twin Peaks - and to me.
May 23, 2017
This is next-level, full-tilt, mind-f**k TV.
May 23, 2017
Lynch's twisted brutalization of women likewise continues... It all seems to be part of the director's basic playbook. And it's past time for him to be called out on it.
