EPISODE
Madoff - Season 1
The series will follow the prodigious rise and abrupt demise of the former investment advisor, Bernie Madoff, who's Ponzi scheme bilked $65 billion from unsuspecting victims, and the subsequent fallout with his family, associates and investors.
30 August 1948, Silver Spring, Maryland, USA
1980, London, England, UK
24 March 1959, Seacacus, New Jersey, USA
17 May 1979, Velzeke, Flanders, Belgium
19 November 1956, New York City, New York, USA
12 May 1954, Chicago, Illinois, USA
15 February 1979
17 July 1954, Los Angeles County, California, USA
20 September 1961, Arlington, Massachusetts, USA
13 October 1947, USA
28 August 1962, Washington, District of Columbia, USA
20 July 1963, Syracuse, New York, USA
February 03, 2016
Neither particularly bad nor stellar, Madoff is a mildly entertaining, though far from impressive, miniseries with oversimplified depictions of white-collar thieves, bumbling to the point of cartoonish financial analysts, and fraud run rampant.
February 02, 2016
The miniseries that is constructed around [Dreyfuss], though, is flat and simplistic, with none of the intelligence and intrigue that has elevated other stories set in high finance, Billions and The Big Short.
February 03, 2016
I'm not sure how much is invented in the script, but one thing is clear: Dreyfuss turns out to be the real magician in making a film with so much financial detail so often entertaining.
February 03, 2016
Hang in there with Madoff, and a surprisingly humane narrative awaits.
February 03, 2016
Madoff succeeds where it counts, at least: it gets great stuff out of Dreyfuss, and from Danner, who gives Ruth a boozy tragicomedy that nicely offsets Madoff's wheezy villainy.
February 03, 2016
Dreyfuss somehow refrains from chewing the scenery, though the script at times would have him leaving only flecks of drywall.
February 03, 2016
Madoff feels like a network-TV attempt at something much darker and deeper, but outside of its charismatic leading man, there isn't much to recommend it.
February 03, 2016
The film is otherwise unremarkable, really, but because Dreyfuss is given an exceptional tool with which to pound the sincerity of his remorselessness, it elevates what could be facile villainy to something more indelible.
