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Where the Heart is
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Where the Heart is

Description
The dramatic film revolves around an interesting array of romantic situations. Novali travels with her boyfriend on a trip to California, stopping next to a store in Oklahoma. She goes to the bathroom and when she returns, she finds Willy gone. Novali is very shocked, but decides to stay alone, and the problem is that she has little money and does not have any skills. Novaly sneaks in overnight at the store and starts making friends with a different group of strangers.
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DIRECTORS OF "Where the Heart is"
Where the Heart is
CRITICS OF "Where the Heart is"
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Courier-Journal (Louisville, KY)
Resource

July 02, 2004

The script, based on a novel by Billie Lett, is sprinkled with phrases meant to be poignant and funny, but sound like repackaged cliches.
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Sight and Sound
Resource

December 02, 2002

Unfortunately, the spirited performances (notably Stockard Channing as the benevolent Sister Husband) buckle under the weight of the implausibly overloaded script.
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Film Threat
Resource

December 08, 2002

This is as irritating as chick flicks come and it's a real disappointment since Portman's talents are totally wasted.
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Common Sense Media

December 29, 2010

A chick flick that's as yummy as eating bon-bons.
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Reel Film Reviews
Resource

August 01, 2003

...enjoyable enough.
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Fort Worth Star-Telegram/DFW.com

January 01, 2000

Delightful.
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Arkansas Democrat-Gazette

January 29, 2005

... a great big ol' commercial for the Wal-Mart
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Globe and Mail
Resource

April 25, 2003

Not possessing much in the way of a character arc, saints are boring to watch and impossible to act.
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Chicago Sun-Times
Resource

January 01, 2000

Where the Heart Is has a screenplay like that, zigging and zagging and wildly careening from one melodramatic development to the next.
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Associated Press

January 01, 2000

Portman ... is remarkably persuasive as the unschooled Novalee.
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San Jose Mercury News

January 01, 2000

A veritable ventricular chamber orchestra of emotional manipulations and easy virtues.
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Minneapolis Star Tribune
Resource

November 06, 2002

The scenes feel forced, producing episodic plotting and calling attention to the characters' superficiality.
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