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The Women
A study of the lives and romantic entanglements of various interconnected women. In the eternal battle between the sexes, one side holds an overwhelming advantage: Armed with razor-sharp wit and wielding gossip as a weapon, victory can only go to The Women.
27 May 1879, Québec City, Québec, Canada
30 November 1883, San Francisco, California, USA
November 29, 1890 in Swaffham, Norfolk, England, UK
30 October 1911, Providence, Rhode Island, USA
18 January 1908, London, England, UK
22 March 1917, Los Angeles, California, USA
22 October 1917, Tokyo, Japan
June 21, 1879 in New York City, New York, USA
2 May 1885, Hollidaysburg, Pennsylvania, USA
October 23, 1913 in London, England, UK
May 30, 1891 in Spokane, Washington, USA
24 February 1890, Acton, Indiana, USA
May 27, 1908 in Oakland, California, USA
17 January 1910, Chicago, Illinois, USA
10 January 1919, Oklahoma City, Oklahoma, USA
28 January 1880, Philadelphia, Pennsylvania, USA
5 January 1890, New Orleans, Louisiana, USA
21 March 1927, Eagle Rock, Los Angeles, California, USA
5 August 1919, Tampa, Florida, USA
8 January 1900, Hannah, North Dakota, USA
31 May 1915, New York City, New York, USA
13 November 1919, Alton, Illinois, USA
March 5, 1906 in San Francisco, California, USA
July 22, 1883 in London, England, UK
July 20, 2007
a bitchy but endearing mix of comedy and melodrama. Norma Shearer holds the chaos together with improbable dignity.
June 23, 2006
Cukor's all-star version of Booth's stinging play is all about wisecracking cattiness of wives and mistresses (of the upper class), confirming men's suspicions of what women talk about when they are not around.
September 12, 2008
Isn't quite as nasty as it probably could have been, coming several years after the establishment of the Hays Code, but it's still plenty witty.
January 17, 2007
It's the irrevocable women's pic of the 1930s.
May 30, 2008
Picture however holds passages that slow movement down to a walk.
September 11, 2008
Directed by Cukor with his trademark elegance, and proof of the filmmaker's famed ability to direct female actresses, this sparkling satire on backbiting, privileged women continues to delight.
September 11, 2008
A film that deserves to be seen (or seen again).
January 26, 2006
A more eccentric film than the following year's The Philadelphia Story, with which it shares a couple of faces, it's almost as fabulous.
May 31, 2014
A pretty superb and remarkable film...
September 11, 2008
[Cukor is] at his best with a cast that includes Rosalind Russell, Norma Shearer, Joan Crawford, Hedda Hopper, Ruth Hussey, Paulette Goddard, and Joan Fontaine.
September 11, 2008
The catty banter and Wildean aphorisms (some of them contributed by Anita Loos) are delivered with impeccable timing by a cast only MGM could have mustered.
