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The Third Man
The story begins with a writer named Holly Martins, a writer of Western wonders. Over time, a bankrupt as a guest of his childhood Harry Lame just arrived to find him dead where things seemed to be not so good. Now, that man achieves the mysterious death, and thus begins to recount those mythical events of love, deceit, and tragic death.
14 December 1884, Lübeck, Schleswig-Holstein, Germany
18 July 1913, Vienna, Austria-Hungary
23 December 1868, Linz, Upper Austria, Austria-Hungary [now Austria]
16 September 1890, Prague, Bohemia, Austria-Hungary [now Czech Republic]
1904 in Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
August 18, 1924 in Hampstead, London, England, UK
12 May 1903, Bourton-on-the-Water, Gloucestershire, England, UK
May 17, 1888 in Vienna, Austria-Hungary [now Austria]
September 26, 1894 in Russia
29 September 1913, Cliftonville, Kent, England, UK
16 April 1907, Stirling, Scotland, UK
24 June 1906, Vienna, Austria-Hungary [now Austria]
15 October 1901, Bedford Park, London, England, UK
December 8, 1921 in Montreal, Quebec, Canada
30 December 1906, Putney, London, England, UK
13 January 1912, Atmore, Alabama, USA
15 May 1905, Petersburg, Virginia, USA
November 22, 1886 in Aachen, North Rhine-Westphalia, Germany
April 7, 1908 in Leeds, Yorkshire, England, UK
10 January 1908, Brentford, Middlesex, England, UK
17 July 1918, Toronto, Ontario, Canada
July 28, 2015
Welles was a still-ridiculously young 34 when he played Harry, but he was probably born sounding 56...
July 01, 2015
What really makes the film sing, though, isn't the jaunty and iconic zither score by Anton Karas. It's the film's groundbreaking visual aesthetic, which combines noir tropes with expressionism to create a visual wonderland of living shadows.
July 03, 2015
It's an exciting experience, dazzling and entertaining and thought-provoking.
March 09, 2017
There's an element of show-off quality in The Third Man-it's a stylistic tour de force of bravura lighting, brilliant location shooting, dynamic imagery, and sharp angles throwing the world off kilter-but Reed rises to the challenge of Greene's script.
July 04, 2015
The bombed buildings, piles of rubble and their evocative shadows form a haunting backdrop to the outdoor scenes, particularly at night. ... Greene's talent for dialogue and suspense shine. [It] has more twists and turns than a rollercoaster.
June 26, 2015
"The Third Man" is important not just because of its technique but because of its theme ...
August 01, 2015
By the very nature of its settings and story, there are occasional reminiscences of Lang and Hitchcock, but there is nothing borrowed or imitated. Stylistically, The Third Man is Reed's most impressive film.
August 06, 2015
Krasker's camera reveals a dank, matte, defeated city - so dully vivid as to be a character unto itself - except that this Vienna becomes something altogether different seen at night or underground.
June 24, 2015
A lot funnier than you remember it, Carol Reed's immortal 1949 film noir seems to exist in the space between two worlds: an earlier time when thrillers were mostly serious affairs, and a future one, when such supremely witty entertainments felt passé.
June 23, 2015
The Third Man is a movie of sobering pleasures.
July 02, 2015
Like many, I have loved this thriller of conscience and betrayal most of my moviegoing life.
July 02, 2015
Reed and screenwriter Graham Greene let the story unfold slowly and deliberately, like the cigarette smoke that floats around the characters, and keep us guessing at every step.
