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The Third Man
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The Third Man

Description
The story begins with a writer named Holly Martins, a writer of Western wonders. Over time, a bankrupt as a guest of his childhood Harry Lame just arrived to find him dead where things seemed to be not so good. Now, that man achieves the mysterious death, and thus begins to recount those mythical events of love, deceit, and tragic death.
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The Third Man
CRITICS OF "The Third Man"
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eFilmCritic.com
Resource

July 28, 2015

Welles was a still-ridiculously young 34 when he played Harry, but he was probably born sounding 56...
Fmovies
Willamette Week
Resource

July 01, 2015

What really makes the film sing, though, isn't the jaunty and iconic zither score by Anton Karas. It's the film's groundbreaking visual aesthetic, which combines noir tropes with expressionism to create a visual wonderland of living shadows.
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Oregonian
Resource

July 03, 2015

It's an exciting experience, dazzling and entertaining and thought-provoking.
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Seanax.com
Resource

March 09, 2017

There's an element of show-off quality in The Third Man-it's a stylistic tour de force of bravura lighting, brilliant location shooting, dynamic imagery, and sharp angles throwing the world off kilter-but Reed rises to the challenge of Greene's script.
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culturevulture.net
Resource

July 04, 2015

The bombed buildings, piles of rubble and their evocative shadows form a haunting backdrop to the outdoor scenes, particularly at night. ... Greene's talent for dialogue and suspense shine. [It] has more twists and turns than a rollercoaster.
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Salon.com
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June 26, 2015

"The Third Man" is important not just because of its technique but because of its theme ...
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Monthly Film Bulletin
Resource

August 01, 2015

By the very nature of its settings and story, there are occasional reminiscences of Lang and Hitchcock, but there is nothing borrowed or imitated. Stylistically, The Third Man is Reed's most impressive film.
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Boston Globe
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August 06, 2015

Krasker's camera reveals a dank, matte, defeated city - so dully vivid as to be a character unto itself - except that this Vienna becomes something altogether different seen at night or underground.
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Time Out
Resource

June 24, 2015

A lot funnier than you remember it, Carol Reed's immortal 1949 film noir seems to exist in the space between two worlds: an earlier time when thrillers were mostly serious affairs, and a future one, when such supremely witty entertainments felt passé.
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Village Voice
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June 23, 2015

The Third Man is a movie of sobering pleasures.
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Chicago Tribune
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July 02, 2015

Like many, I have loved this thriller of conscience and betrayal most of my moviegoing life.
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Seattle Times
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July 02, 2015

Reed and screenwriter Graham Greene let the story unfold slowly and deliberately, like the cigarette smoke that floats around the characters, and keep us guessing at every step.
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