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The Social Network
The Social Network is a 2010 American biographical drama stylishly connects to computer genius Mark Zuckerberg and how he came about Facebook.
26 July 1988, Los Angeles, California, USA
29 October 1988, San Francisco, California, USA
17 October 1987, Windhoek, Namibia
16 March 1979, Illinois, USA
29 June 1985, Stamford, Connecticut, USA
14 February 1952, St. Paul, Minnesota, USA
27 September 1963, Los Angeles, California, USA
29 June 1985, Stamford, Connecticut, USA
20 August 1983, Los Angeles, California, USA
26th april 1990
21 June 1985, Salt Lake City, Utah, USA
April 28, 2015
A giddy, two-hour rush of hot-blooded vertiginous dialogue and cucumber-cool cinematic curlicues.
November 09, 2013
The Social Network is a spellbinding and compelling story with top notch performances and flawless directing.
October 07, 2015
The film keeps teasing at bigger themes when it's really drivel.
December 02, 2013
It captures the essence of selfishness and treachery, all under the guise of creating a system geared toward making it easier for college kids to get laid. And sure enough, in the end, just about everybody gets screwed.
October 01, 2010
The Social Network shares creative DNA with a handful of classic, zeitgeist-savvy films like Network and All the President's Men, as well as more recent fare such as The Insider and Michael Clayton.
August 04, 2015
What a terrific movie!
October 07, 2011
At last, a movie you can actually discuss afterward. And not just on Facebook or Twitter. No, you'll want to chew it over in person, with friends, for hours.
October 01, 2010
This is the 2010 Oscar season's first drama to live up to the hype and expectations associated with it.
April 18, 2016
A zesty advertisement for the further meaningless Facebookization of our daily routines, and the further squandering of our free time.
October 01, 2010
You will know The Social Network is something very special from its first scene.
October 14, 2010
Despite the fun of the parties, the intrigue of the legal wranglings and the humour of the dialogue, Fincher and Sorkin never let us forget that we're complicit in their story (or at least 500 million of us are).
