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The Prodigy
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The Prodigy

Description
Here we have a story that looks quite different. A woman named Sarah, a mother who is still not fully convinced of the behavior of her exciting little son, believes that there is an evil and possibly supernatural power that has overtaken him. It seems that it has gone beyond everything, as this woman still fears for the safety of her family. Sarah must choose between the instincts of the mother in love and her protection and the urgent need to investigate what or what is causing everything that happens. In the end, it seems that everything is going wrong and Sarah is still forced to look for answers in the past.
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The Prodigy
CRITICS OF "The Prodigy"
Fmovies
Cine Premiere
Resource

February 22, 2019

Nicholas McCarthy needed to transcend the conventions to successfully mix genres. [Full Review in Spanish]
Fmovies
ChrisStuckmann.com
Resource

February 15, 2019

The emotion wasn't quite as earned as it should've been...but, for the majority of the run-time, I was impressed with the craftsmanship on display.
Fmovies
Crooked Marquee
Resource

February 19, 2019

The Prodigy feels more like an absurd fantasy film than a horror flick.
Fmovies
Flickering Myth
Resource

March 05, 2019

The Prodigy is a forgettable, tedious horror film that few will remember come this summer.
Fmovies
Film Inquiry
Resource

February 19, 2019

This is entertaining and all, but the movie is neither scary nor intriguing enough to transcend its cliches and redundancy.
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New York Post
Resource

February 07, 2019

The latest in a long, increasingly lousy line of bloodthirsty kid movies...
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Cinergética
Resource

February 22, 2019

An empty exercise that barely keeps itself standing. [Full Review in Spanish]
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Globe and Mail
Resource

February 08, 2019

McCarthy's film dips its toes into some stock scare tactics - the whistling tea kettle, the dark hallway, the creepy basement - while struggling to figure out whether it wants its third act to be a boring or bad-ass sort of bonkers-bananas.
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Toronto Star
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February 07, 2019

Director Nicholas McCarthy and screenwriter Jeff Buhler could pen that aforementioned parental handbook for child demonic possession, since they blithely borrow from innumerable evil kid movies.
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Washington Post
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February 07, 2019

[McCarthy] a filmmaker who recognizes that the buildup is more fun than the payoff, and he manages to generate suspense with seemingly little happening on the screen.
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New York Magazine/Vulture
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February 08, 2019

The film is cruelly well-made.
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RogerEbert.com
Resource

February 08, 2019

McCarthy's direction is so sleepy that a number of key scenes fizzle out before they can pay off with the next big jump scare.
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