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The Last Airbender
The four nations of Air, Water, Earth and Fire lived in harmony until the Fire Nation declared war. Now, it's up to Aang, a young successor to a long line of Avatars, to master all four elements and stop the Fire Nation from enslaving the Water Tribes and the Earth Kingdom.

















May 12, 1989 in Reading, Pennsylvania, USA

10 March 1945, Hartford, Connecticut, USA



14 December 1967, Allentown, Pennsylvania, USA



17 July 1988, Pasadena, California, USA


30 May 1985, Burnsville, Minnesota, USA


27 July 1968, Rotorua, New Zealand



31 December 1963, Philadelphia, Pennsylvania, USA






5 June 1990, Reading, Pennsylvania, USA

16 August 1973, Pittsburgh, Pennsylvania, USA




























July 18, 2014
[A] breathtakingly clueless, misconceived, stupid, humourless, unexciting, dim, dumb farrago, the worst film I've seen in years.
July 18, 2014
Nothing here is helped by M. Night Shyamalan's bizarre casting choices.
July 18, 2014
Would it be more accurate to call this The Last Shyamalan Movie?
July 18, 2014
There isn't a single convincing performance in the picture, and the badness of the acting is, bizarrely, pretty much in direct proportion to a character's importance.
July 18, 2014
A quite breathtakingly inept hodge-podge of vapid spirituality, playground chopsocky and visual effects that take 3D to an entirely new level: Zero-D.
July 02, 2010
Stilted dialogue, wooden acting, glacial pacing, cheesy special effects, tacky-looking sets, ugly costumes, poorly staged and edited action sequences, all shown in murky, cut-rate 3-D.
July 18, 2014
The Last Airbender is not just a flop, it's a big-budget flop, and it's a throwback to that grand old genre, the movie that's so bad that it's bad.
August 12, 2010
One is bored and stupefied by what seems like an eternity of vacuous spectacle, cod-Buddhist tosh and clunking dialogue.
July 01, 2010
A dull, boring, poorly acted, limply written and thoroughly unappealing fantasy, featuring bland characters locked in a struggle of no interest.
July 01, 2010
M. Night Shyamalan's big-screen live-action version of the popular Nickelodeon animated TV series constitutes a form of Chinese water torture in which tin-ear line-readings take the place of drips.
July 02, 2010
[T]he film works so hard to explain its plot developments that it scarcely has any time left over to dramatize them. Exposition has not merely vanquished mimesis, it has burned its homes to the ground and sown salt in its fields.
July 02, 2010
Call M. Night Shyamalan a Wood Bender -- this kiddie cast is as flat and stiff as particle board