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The Innocents (2016)
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DIRECTORS OF "The Innocents (2016)"
The Innocents (2016)
CRITICS OF "The Innocents (2016)"
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The Age (Australia)
Resource

April 28, 2017

[Fontaine] retains her knack for keeping the viewer guessing about what she might be up to
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Flicks.co.nz
Resource

March 02, 2017

An utterly graceful film about an almost graceless time.
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Adelaide Review
Resource

April 28, 2017

With gorgeous cinematography by Caroline Champetier and memorably unsentimental performances... Fontaine's film is neither anti-religion nor pro-science but, instead, about compassion, mercy and forgivenes.
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The Sunday Age
Resource

May 02, 2017

Shot through with winter tones and a solemn contemplation that evokes religious art, The Innocents evokes the struggle for spiritual survival.
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The Australian
Resource

April 28, 2017

It builds to something quite remarkable.
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Seattle Times
Resource

July 28, 2016

Shot in artful, quiet light (many of the frames look like elegant paintings), "The Innocents" is beautifully performed by its nearly all-female cast; each nun, even those unnamed, is given her own personality and story.
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ArtsHub
Resource

May 02, 2017

The Innocents may be understandably solemn in mood and sober in approach, but it's illuminating in probing the minutiae of resilience amidst the unexpected and the horrific.
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Time Out
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November 07, 2016

An emotionally involving rather than harrowing film, with scenes as beautiful as oil paintings.
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Christian Science Monitor
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July 15, 2016

The ghastliness of this situation has its black comic aspects, but director Anne Fontaine keeps everything on an even keel -- too even.
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Globe and Mail
Resource

July 15, 2016

The Innocents is a powerful, brave film that will stay with you for days.
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Arizona Republic
Resource

July 29, 2016

Fontaine ("Gemma Bovary," "Coco Before Chanel") has just the right touch. There is no melodrama here, simply women of faith living day to day.
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San Diego Reader
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August 04, 2016

Director and co-writer Anne Fontaine makes every shot and every exchange count in her tender but penetrating exploration of sisterhood in a brutal world.
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