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The Fencer
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CREATORS OF "The Fencer"
The Fencer
CRITICS OF "The Fencer"
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Herald Sun (Australia)
Resource

November 29, 2016

The alluring looks of The Fencer can be deceiving, as the groundwork for an ominous and intensely riveting final act is laid out.
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Urban Cinefile
Resource

November 20, 2016

Inspiration is the life-affirming theme of this charming story in which a fencer in Soviet occupied Estonia inspires the children he teaches to learn a new skill and face new challenges
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The Australian
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November 29, 2016

It's an assured piece of work and, as confidently directed by Klaus Haro, it intrigues for much of its length, building to a suspenseful climax.
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ABC Radio (Australia)
Resource

November 24, 2016

I wish I'd known The Fencer was a true story before it began ... It would have made its sentimental and seemingly formulaic story feel much less on the nose.
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Chicago Reader
Resource

March 03, 2016

An affecting portrait of a decent man who risks his life to uphold a bond of trust with his students. Though squarely in the tradition of Dead Poets Society and The Bad News Bears, the film offers higher stakes and, consequently, a bigger payoff.
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Sydney Morning Herald
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November 29, 2016

It's an effective vehicle for exploring the troubled relationship between two countries, and that may be the point, at the expense of accuracy.
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Variety
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September 29, 2016

This well-acted, smoothly crafted drama tells a story of cross-generational bonding in the face of historical oppression, in touching if unsurprising fashion.
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Irish Times

December 27, 2016

The historical context does add a unique texture to the familiar trajectory of Anna Heinamaa's sturdy screenplay, as does Tuomo Hutri's wintry photography.
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Concrete Playground
Resource

November 30, 2016

Don't discount the impact a predictable tale can have when it's couched in empathetic performances and built from small, intimate moments.
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Time Out
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September 26, 2016

'School of Rock' with swords.
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Hollywood Reporter
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September 29, 2016

The man and his motivations remain oddly elusive in this blankly heroic, clunkingly predictable portrait.
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