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The Family Fang
An actress (Nicole Kidman) and her brother (Jason Bateman) return to their family home in search of their world famous parents, two performance artists known for their elaborate hoaxes, who have disappeared.
5 November 1937, Los Angeles, California, USA
22 May 1959, New Brunswick, New Jersey, USA
8 August 1977, Rocky River, Ohio, USA
25 December 1987, Moscow, RSFSR, USSR [now Russia]
21 June 1964, New York City, New York, USA
31 March 1943, Astoria, Queens, New York City, New York, USA
12 January 1965, Washington, District of Columbia, USA
1953, Lowell, Massachusetts, USA
16 June 1964, New York City, New York, USA
December 26, 2016
Mainstream comedy fixture Jason Bateman proves his directing chops presiding over the distinctly non-mainstream, darkly comic story about a dysfunctional family borne from performance artists.
July 01, 2016
Laced with subtle performances and rich characters, Jason Bateman's The Family Fang is a big improvement over his last movie, the overly cynical-but-cute Bad Words.
February 21, 2017
A humorless, Debbie Downer of a dysfunctional family drama, all the more disappointing given its promising pedigree.
November 30, 2016
No masterpiece, certainly, but substantially more interesting than comparable productions such as Captain Fantastic.
May 05, 2016
It's heavy stuff, served with a light touch.
January 09, 2017
The Family Fang is an enjoyable film to watch with genuine characters who have relatable flaws and believable bonds.
May 12, 2016
Bateman and Nicole Kidman, too old to convincingly pull off this sibling pair, would have fared better as the parents.
May 05, 2016
Fang is directed by Bateman with a sensitivity that the story's sour whimsy doesn't quite deserve.
May 05, 2016
Even when The Family Fang stretches credulity, we stay with it. Bateman knows how to tell a story.
May 06, 2016
Bateman knows his fractured family well, but "Fang" doesn't give him enough to chew on. The characters are all scarred, but the film doesn't leave a mark.
May 06, 2016
"The Family Fang" is kind of messy but also fun and touching; it's a definite step forward for Bateman as a director ...
