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The Dead Lands
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The Dead Lands

Description
Upon the slaughter of his father and while tribe, Hagori, a young courageous and intelligent guy and the son of the tribe leader, makes his mind to avenge for the death of his father, in order to send honor and peace to his soul.
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DIRECTORS OF "The Dead Lands"
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CREATORS OF "The Dead Lands"
The Dead Lands
CRITICS OF "The Dead Lands"
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Laramie Movie Scope
Resource

January 05, 2016

Seldom have I seen a more foreign film than this one. This is a story set, not only in a language, Te Reo, totally separate from Indo-European languages, but in a very different time and culture, as well.
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Ozus' World Movie Reviews
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November 13, 2015

Highly entertaining.
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Epoch Times
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May 20, 2016

It certainly makes viewers reluctant to hassle anyone carrying a patu with authority, which is something the film can hang its hat on.
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Baret News

December 24, 2015

A grisly, Maori revenge flick tailor-made for fans of high body-count fare.
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Los Angeles Times
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April 16, 2015

A fable about New Zealand's indigenous Maori people before the arrival of European settlers, "The Dead Lands" values entertainment over archaeology.
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Film Ireland Magazine
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May 12, 2016

Situating death as the catalyst to action whereby legends, apparitions and spirits mobilize the command to vengeance, Fraser's narrative teems and trounces with relentless bloodshed, slaughter, violence and gore.
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Time Out
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May 26, 2015

A fun thriller that'll have you reaching for the travel brochures.
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New York Times
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April 16, 2015

Honor and shame are frequently announced concerns in the story, and the staginess recalls Mr. Fraser's experience as a theater director.
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New Zealand Herald
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May 23, 2016

It's in te reo but The Dead Lands never feels like it's trying too hard to say anything important. All the same, it may well become a very important film.
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RogerEbert.com
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April 17, 2015

"The Dead Lands" doesn't add up to much, but it is always on the verge of becoming more than just a bed time story for guys that wish "Braveheart" had a biceps-kissing baby with "Ong Bak."
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New York Magazine/Vulture
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April 17, 2015

It feels like a typical action movie that's been sawed off and sanded down - its blunt edges sharpened, its soft center drained out. It's not particularly original, but it is mean, relentless, and bracing.
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