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The Canal
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The Canal

Description
It is a story that seems ambiguous and controversial, as it speaks of a young man named David who was in crisis when he discovered that his wife and Alex - one of her clients - were deceiving him. Things may change quite a bit later when his colleague gave him a tape showing that his house was a place of savage killing in 1902, which could turn things upside down.
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DIRECTORS OF "The Canal"
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CRITICS OF "The Canal"
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Irish Times
Resource

May 10, 2015

The Canal, though reliant on atmospherics and superb sound design, looks and feels more than genre cinema than Kavanagh's earlier, freakier one.
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The List
Resource

May 04, 2015

Though some of the plot doesn't entirely add up, with a few ill thought-out reveals towards the end, the sinister atmosphere is enough to keep you teetering on the edge of your seat for most of the running time.
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Guardian
Resource

May 07, 2015

Writer-director Ivan Kavanagh and cinematographer Piers McGrail fashion something properly cinematic from their watery, nondescript locations: an overcast, portal-like towpath, and a dilapidated public loo ...
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Cairo360
Resource

April 05, 2016

A truly original horror film isn't easy to come by these days... The Canal, isn't the film that's going to change that, but it does have its positives.
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Radio Times
Resource

May 08, 2015

Making the most of its modest attributes and a wrenching central performance by TV regular and Hellboy veteran Rupert Evans, this Irish chiller lurches from unspoken eeriness to outright horror as it plots a familiar paranormal trajectory.
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Village Voice
Resource

October 07, 2014

Piers McGrail's nuanced, moody cinematography brings out the best in writer-director Ivan Kavanagh's over-mannered but effectively creepy ghost story.
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TheHorrorShow
Resource

August 22, 2015

A wonderfully shot, cleverly written, and subtly effective horror movie.
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Time Out
Resource

May 05, 2015

This Dublin-set horror rehashes every haunted-house trick in the book.
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La Nación (Argentina)
Resource

November 23, 2016

A film that at first seemed worthy of an heir to Lynch, Fincher or Polanski's cinema but ends up bordering on ridicule. [Full review in Spanish]
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Film Ireland Magazine
Resource

May 12, 2016

Rupert Evans' performance as David is alarming in the shift from unassuming and tender husband and father to demonic neurotic and delusional obsessive.
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New York Times
Resource

October 09, 2014

Over all, the action is too cryptic, and the pedestrian dialogue doesn't help.
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Variety
Resource

October 13, 2014

Injecting explicit imagery into an old-fashioned possession story, writer-director Ivan Kavanagh brandishes his unusual mix of styles right from the beginning.
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