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The Birdcage
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The Birdcage
CRITICS OF "The Birdcage"
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Movie Metropolis
Resource

July 16, 2014

Robin Williams plays off of a flaming Nathan Lane with delicious understatement and anchors a farce that moves along at a brisk pace-with or without heels.
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Empire Magazine
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May 29, 2011

It undoubtedly remains a genial crowd pleaser. If the dress fits, wear it.
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TV Guide
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May 29, 2011

What might be a surprise, given the talents involved, is how relentlessly unfunny it is.
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Quickflix
Resource

August 24, 2014

The Birdcage grossed nearly $200 million worldwide in 1996, and that is significant. Box Office Mojo says it's the highest grossing queer film of all time, though they're not counting Frozen and 300, and they probably should.
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7M Pictures
Resource

June 13, 2014

At its core, it is about human relationships. They're extreme relationships, and they're cross-wired to get an electric reaction, but they're real characters nonetheless.
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Time Out
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June 24, 2006

It doesn't so much champion diversity as celebrate conformity.
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Common Sense Media
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August 19, 2014

Campy, comedic romp with lots of profanity.
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Chicago Reader
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May 29, 2011

This isn't the supreme masterpiece it might have been, but Nichols's direction is very polished and some of the lines and details are awfully funny.
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San Francisco Chronicle
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June 18, 2002

A glossy miscalculation with Nathan Lane and Robin Williams.
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Chicago Sun-Times
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January 01, 2000

What makes Mike Nichols' version more than just a retread is good casting in the key roles, and a wicked screenplay by Elaine May, who keeps the original story but adds little zingers here and there.
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Variety

March 26, 2009

The Birdcage is a scream.
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Washington Post
Resource

May 27, 2011

If The Birdcage isn't exactly the Mike Nichols-Elaine May movie of our dreams, it does manage to transform what was formerly a campy bit of French fluff into one of the loopiest, most hysterical family-values movies ever made.
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