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Suspiria (1977)
Suzie Pannion is the dancer who went to Berlin to test the performance of the internationally renowned dance company Helena Markus. The surprise comes when Susie discovers that another dancer is replacing her in mysterious circumstances. After that, the talented dancer Susie accused the company's directors of witchcraft. A psychiatrist and a member of the band discovered dark secrets and looked real by investigating the depths of what was happening in the rooms inside or outside the studio.
14 October 1944, Cologne, North Rhine-Westphalia, Germany
1919, Austria
27 February 1910, Palisades, New Jersey, USA
12 December 1954, Stockholm, Sweden
31 May 1921, Pola, Istria, Italy [now Pula, Istria, Croatia]
3 April 1956, Panama City, Panama
1 January 1939, Milan, Lombardy, Italy
17 April 1906, Leipzig, Germany
17 May 1924, Rome, Lazio, Italy
10 October 1949, Chicago, Illinois, USA
16 April 1955, Rennes, France
7 August 1954, Rome, Lazio, Italy
25 May 1947, Turin, Piedmont, Italy
4 September 1948, Villa di Chiavenna, Italy
October 06, 2013
A stunning combination of menacing Grand Guignol atmosphere, dazzling colours, gory violence, lush décor and pounding soundtrack.
April 29, 2012
There is little logic in 'Suspiria,' just the exuberance of individual scenes.
October 10, 2012
Argento's masterpiece is a movie in which nothing and nobody makes sense.
October 09, 2015
Edgar Wright summed up the experience of watching Suspiria with his typical insight. "It's like a dream you've had when you've eaten too much cheese."
October 30, 2012
Its outlandish, confounding style [does] more than virtually any other film to create the exact sort of unsettled, panicky mood in the viewer that is at the heart of horror.
May 09, 2005
Mr. Argento's methods make potentially stomach-turning material more interesting than it ought to be.
October 06, 2013
From stormy start to fiery finish, it's a stylish, compelling, phantasmagoric movie.
September 01, 2009
A movie that makes sense only to the eye (and even then . . .).
June 05, 2002
One can't deny Argento's technical ability to manufacture jolts, but he seems incapable of contriving a dramatic context that would make the jolts more enjoyable by virtue of being more discreet and credible.
November 29, 2016
A masterpiece that should be viewed by movie buffs, and film students alike.
June 24, 2006
It's always fascinating to watch; the thrills and spills are so classy and fast that the movie becomes in effect what horror movies seemed like when you were too young to get in to see them.
March 29, 2007
Argento works so hard for his effects -- throwing around shock cuts, colored lights, and peculiar camera angles -- that it would be impolite not to be a little frightened.
