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Sorry to Bother You
In the United States, and specifically in California, Cassius Green discovered a magical key to material glory after he worked as an e-marketing officer; while Green's career began to take off, his friends and colleagues organized a protest against corporate repression. In the end Steve Leavitt will pay a handsome salary after convincing him.
21 December 1983, Seoul, South Korea
4 April 1964, Atlanta, Georgia, USA
5 April 1989, Esher, Surrey, England, UK
28 August 1986, Los Angeles, California, USA
23 December 1963, New York, USA
9 January 1974, Savannah, Georgia, USA
September 06, 2018
LaKeith [Stanfield] is a good actor, he has a lot of range, and I enjoy his work. Tessa Thompson killed it. She's a very interesting character.
August 28, 2018
A lot of the comedy fell short...the third act was a little too crazy for me, and the ending wasn't strong enough.
August 28, 2018
I'm conflicted...I want to promote originality, and unique voices, and I'd love to see what Boots Riley does next...
September 27, 2018
Soon enough the logic of maximal profit infiltrates every crevice of human life, including the human body. To say more is to spoil the surprise-and the last third of the movie is a wild ride.
September 03, 2018
One of the most interesting components in Sorry To Bother You is whether the film does, or doesn't, and how it goes about testing his basic humanity.
July 20, 2018
It should throw the viewer for a loop, because it's a reflection of the insane times we live in.
September 07, 2018
We haven't seen a mainstream pro-union film since, uhhhhhhh . . . Matewan in 1987? That fact alone makes Sorry to Bother You a riveting experience.
September 11, 2018
Sorry To Bother You [is] doubly exciting: it's conscious of what it achieves in its absurdity, just as much as it's conscious of the dangers of late-stage capitalism.
July 20, 2018
Sorry to Bother You ponders the danger of trying to assimilate into the white world, but at heart it's a multiracial, proletarian call to arms.
July 13, 2018
Telemarketers as targets from which satire flows eternal were spigotted about the same time as mall cops, and that's not all this jammed-scattergun approach to comedy has in common with the terminally dopey Paul Blart.
August 14, 2018
[The] critique, ultimately, is a moral reversal, one that has less to do with making the white man a stereotype than with giving the black one a sense of self.
September 06, 2018
This bold new film not only shatters comedy's cold streak, but also serves as a powerful reminder of the vitality of the genre as both social commentary and shared experience.
