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Russian Dolls (Les poupées russes)
Xavier and Wendy have to gather all their friends from Barcelona for the wedding of Wendy's brother to a beautiful Russian. Xavier is still looking for the perfect woman.
22 May 1980, Oxford, Oxfordshire, England, UK
December 19, 1965 in Sainte-Foy-la-Grande, Gironde, France
July 18, 1976 in Barcelona, Barcelona, Catalonia, Spain
26 May 1906, Paris, France
1975, Dakar, Senegal
17 July 1975, Namur, Wallonia, Belgium
May 5, 1970 in Paris, France
24 March 1975, Annecy, Haute-Savoie, France
July 21, 1974
1970, Zurich, Switzerland
17 April 1957, Thiers, Puy-de-Dôme, France
28 May 1974, Paris, France
September 16, 2006
Essentially this is Espagnole on repeat, as if the lessons from the former film had been fully expunged after five years on ice.
August 18, 2006
With its crackling dialogue and attractive, fully rounded characters, Russian Dolls puts American movies on similar subjects to shame.
August 18, 2006
If you saw and enjoyed the previous film, you'll know what to expect, and you'll enjoy it.
September 18, 2007
Anyone who loved L'Auberge Espagnole should at least like its sequel as something of a guilty fling.
August 25, 2006
It's hard to decide what's prettier in Russian Dolls: the people or the places. Either way, we win.
July 07, 2006
It's an effortlessly charming ensemble, and Klapisch's characters (most of them anyway) reveal depths of feeling that compensate for the film's lightweight tone and too-long running time.
March 01, 2007
His directorial hand is so handsomely assured and his cast so charming that it's easy to succumb to his let-me-entertain-you blandishments
September 01, 2006
The cast of renegades is as appealing as ever.
June 29, 2006
[Xavier] turns this film into more of a self-fixated memoir, less of a blithe ensemble piece.
June 15, 2006
Fluffily enjoyable.
July 21, 2006
Klapisch has made something deliciously close to a nature documentary about the young, the foolish, and the alive.
July 21, 2006
For those who saw and loved L'Auberge Espagnole, Russian Dolls automatically becomes of interest, but writer-director Cedric Klapisch can't quite make the case for it as a stand-alone experience.

