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Rounders
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Rounders
CRITICS OF "Rounders"
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Film4
Resource

March 25, 2008

John Dahl creates an intelligent and character-driven crime-drama built around solid performances by Damon and Norton.
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EmanuelLevy.Com
Resource

January 14, 2007

In his first non-noir film, John Dahl, assisted by the great French lenser Jean-Yves Escoffier, gives New York's underground gambling scene a vivid atmopshere, with special attention to its particular rituals and fast macho talk.
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Flavorwire
Resource

June 19, 2016

The most vivid and most enjoyable movies immerse us in a world, and show us how that world works. The screenplay by David Levien and Brian Koppelman does that; Dahl's direction closes the deal.
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TV Guide
Resource

March 25, 2008

This ode to the allure of clipping suckers and psyching out the competition is richly atmospheric but thin in the character department.
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Time Out
Resource

June 24, 2006

The end result is still short of a winning hand, since the screenplay is so utterly predictable.
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ReelTalk Movie Reviews
Resource

October 29, 2011

Although featuring a splendid Edward Norton performance, 'Rounders' comes across as too unbelievable, often straying beyond the bounds of rationality.
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Washington Post
Resource

March 25, 2008

The wholesome pup's poker face alone, however, hardly accounts for the film's failure to thrill. Damon's character doesn't really have that much stake in the story's outcome.
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Globe and Mail

July 12, 2002

Though it's a good-looking flick with some smart acting and a few flashy runs, it barely breaks even dramatically, and feels, overall, like a good chance wasted.
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Rolling Stone

May 11, 2001

In fighting to show the psychological complexities in Mike that the script ignores, Damon plays it like a rounder instead of a grinder. This kid still has surprises up his sleeve.
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Chicago Reader
Resource

March 25, 2008

Gretchen Mol, Edward Norton, John Turturro, Martin Landau, and Famke Janssen costar; they're all pretty good, but not good enough to make this 1998 feature worth seeing.
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Variety

March 25, 2008

Intermittently engaging but dramatically slack.
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