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Revolver
This film revolves around gambler Jake Green. Jake enters the game with potentially deadly consequences where he falls between a pistol and a difficult place and has to draw his destiny. Jake found himself protected by a hard-working loan that offered him an offer he could not refuse and which would save him from collapse.
30 October 1963, London, England, UK
17 November 1957, Bromsgrove, Worcestershire, England, UK
27 July 1993, England, UK
5 August 1963, London, England, UK
26 September 1946, Tokyo, Japan
27 June 1978, Brixton, London, England, UK
27 May 1975, Atlanta, Georgia, USA
14 May 1945, Kensington, London, England, UK
6 September 1958, Flint, Wales, UK
11 May 1971, Harpenden, Hertfordshire, England, UK
12 June 1971, Seoul, South Korea
3 January 1959, London, England, UK
26 July 1967, Shirebrook, Derbyshire, England, UK
January 06, 2009
Jesus, this is a stupid movie.
March 15, 2008
Like De Palma before him, Ritchie knows how to express substance through style.
May 30, 2013
Revolver taps into a struggle everyone faces that only a small few have been able to relate to. It's not that this film isn't a mess, but that mountain of a mess is on top of a shiny gem of a film that is worthy of being admired.
April 03, 2008
It's not worth the bother.
December 07, 2007
It's an irritating, repetitive and pretentious psycho-metaphysical con-job that's ultimately about transcending the ego, and it owes a significant debt to the 1960s The Prisoner TV show -- but isn't nearly in the same artistic league.
August 27, 2009
An unwieldy, short-circuiting film, packing "more tricks than a clown's pocket" yet imbued with brute spiritual force
September 22, 2008
[A]bout as compelling a brief for Kabbalah as Battlefield Earth was for scientology.
December 07, 2007
Guy Ritchie's greasy little noir Revolver is good grindhouse fun until a last act that's like a meeting of a psychoanalysts' convention.
July 11, 2016
Incoherent.
December 14, 2007
The plot isn't intellectually challenging as much as it is confusing, and yet the big twist is completely telegraphed. Ritchie has created a movie that is patronizingly obvious one minute and impenetrable the next.
December 17, 2007
Not the disaster described in the British press but unlikely to restore Ritchie's luster.
