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Repo Man
Frustrated punk rocker Otto becomes a repo man after helping to steal a car, and stumbles into a world of wackiness as a result.
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24 March 1947, Buenos Aires, Argentina
1935, Los Angeles, California, USA
17 April 1965, British Columbia, Canada
17 October 1940, Illinois, USA
7 August 1958, St. Louis, Missouri, USA
3 May 1936, Pennsylvania, USA
16 November 1951, Washington, District of Columbia, USA
3 August 1955
4 June 1958, New York City, New York, USA
11 January 1965, Miami, Florida, USA
15 December 1947, Mountain View, California, USA
3 August 1937, Brooklyn, New York, USA
May 22, 2013
It was 1984 and Americans were on course to re-elect a s****y, sadistic, semi-sentient president. In a f****** landslide.
November 11, 2010
Half-shaggy, half-annihilating vision of a junk culture
April 12, 2013
A 1984 underground touchstone [that's] a creepy visitation from a fracturing society.
June 05, 2014
It's a one of a kind anomaly with Emilio Estevez at his best.
May 05, 2013
A playful mood informs Repo Man, yet Cox also takes time to comment on the seamy side of LA, the crushing realities of living in a comformist society, and the problems inherent in a decade that so baldly worships Reagan, L. Ron Hubbard and TV evangelists.
October 23, 2004
Repo Man comes out of left field, has no big stars, didn't cost much, takes chances, dares to be unconventional, is funny, and works. There is a lesson here.
March 04, 2014
It's kind of a road movie and kind of a science fiction movie and kind of a look at those unsung heroes who repossess cars amid the haze of serious drug use.
June 04, 2007
Repo Man has the type of unerring energy that leaves audiences breathless and entertained.
May 20, 2003
It's very entertaining, and though it's rude in an R-rated way, it has the good taste never to promise more than it can deliver.
June 01, 2016
a western [but] also a punk road movie, a conspiratorial cold-war chase caper, a paranoid apocalypse sci-fi, a postmodern mixed "plate of shrimp", a hilarious Eighties satire and a wry lowlife rejoinder to Reagan's upwardly mobile American dream.
June 24, 2006
There are endless things to enjoy, from Robby Müller's crisp camerawork to a superb set of performances, from witty movie parodies to a tremendous punk soundtrack.
June 04, 2007
Cox's style is a step beyond camp into a comedy of pure disgust; much of the film is churlishly unpleasant, but there's a core of genuine anger that gives the project an emotional validation lacking in the flabby American comedies of the early 80s.
