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Reclaim
The film follows an American couple traveling to Puerto Rico by dint of completing the adoption of their daughter. They uncover that they must face a cruel criminal to rescue her and come back home.
27 August 1987, Houston, Texas, USA
1 November 1951, New York City, New York, USA
25 May 1947, Sydney, New South Wales, Australia
28 June 1966, Evanston, Illinois, USA
28 August 1956, Cayey, Puerto Rico
1 February 1979, Montreal, Québec, Canada
22 June 1972, Umbertide, Umbria, Italy
10 September 1974, New Castle, Delaware, USA
September 19, 2014
Once the sides are firmly established, Reclaim dutifully goes through the subpar-thriller motions.
November 29, 2014
While we can all agree that human trafficking is a despicable thing, it's also clear that this amazingly inept screenplay fails to do the issue justice.
September 16, 2014
Reclaim's highly mechanized plot ensures that the film is over before it even ends.
September 18, 2014
A message before the closing credits cites the widespread incidence of child trafficking, but any social import is lost. This isn't activism; it's by-the-numbers suspense.
October 02, 2014
Reclaim isn't a disaster, it's just disappointing and thoughtless after a potent introduction.
September 20, 2014
In any movie where good people are being scammed by nefarious ripoff artists, there's the potential moment where the protagonists become so stupid and trusting that you lose all sympathy for them. That moment occurs about midway through Reclaim
September 18, 2014
There are no twists or even surprises, except the final realization that director Alan White is taking his culturally clueless, ineptly shot B-movie totally seriously.
July 06, 2016
A totally routine movie that tries to combine a message about trafficked children with a lowbrow thriller about loved ones going missing in a foreign country.
September 18, 2014
Carmine Gaeta and Luke Davies' screenplay is constructed from plot mechanics, and the emotional stakes grow less convincing with every twist of the screw.
September 19, 2014
Alan White's polished but pedestrian pic mines little real suspense and few surprises from a formulaic script.
