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Reasonable Doubt
Prosecutor Mitch Brockden become entangled in a traffic accident in which he accidentally stabs victim and fled from the scene. This relates to another case so Mitch decides to open an investigation against the suspect is allegedly responsible for the crime, and he is unable to reveal himself. But during the investigation, Mitch discovers the person is the real culprit he is seeking and he has to stop him before the killer continues his actions. Shockingly, his goal this time is none other than Mitch and his family...
















3 November 1979, Winnipeg, Manitoba, Canada


3 November 1964, Wimbledon, London, England, UK





26 November 1972, Victoria, British Columbia, Canada



19 May 1968, Winnipeg, Manitoba, Canada




2 June 1978, Greenwich, London, England, UK

17 October 1978, Jasper, Alberta, Canada


9 July 1981, Toronto, Ontario, Canada


9 June 1964, Toronto, Ontario, Canada

7 November 1972, St. Catharines, Ontario, Canada




21 December 1948, Washington, District of Columbia, USA



January 17, 2014
A ramshackle delivery vehicle for Dominic Cooper's misadventures in accent and the sort of disinterested glowering that Samuel L. Jackson reliably pulls out for paycheck gigs.
January 16, 2014
It moves fast (a rare quality for a contemporary thriller), but doesn't end up going anywhere interesting.
January 13, 2014
You may feel as if you're watching two or three abbreviated episodes of Law & Order in quick succession rather than a fully realized movie.
January 17, 2014
Cooper and Jackson never really develop as characters, and the film hurtles towards a pat, violent conclusion.
March 17, 2014
There's no doubt in my mind that this dull, preposterous mess will be gone from my memory by this time tomorrow night.
January 23, 2014
A mindfield of idiocy and neglect in this poorly executed thriller. Truthfully, everyone is to blame. Only Howitt had the right idea to peel his name off the finished product.
January 16, 2014
Contrived and predictable yet fairly tense ...
January 16, 2014
Had Mr. Croudins focused more on Mitch's desire to distance himself from a wrong-side-of-the-tracks upbringing - and less on ticking genre boxes - his movie could only have been the better for it.