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Reality (2014)
Réalité opens with the story of a director who is given 48 hours by a producer to find the best groan of pain, worthy of an Oscar, as the only condition to back his film.
25 September 1965, Tallahassee, Florida, USA
7 August 1944, Salisbury, Maryland, USA
29 March 1967, Paris, France
13 December 1940
25 May 1962, Marquette, Michigan, USA
2002, USA
4 February 2003, Charleston, South Carolina, USA
8 October 1959
26 September 1962, Los Angeles County, California, USA
12 October 1985, Fridley, Minnesota, USA
3 January 1975, Paris, France
13 February 1959, Memphis, Tennessee, USA
1 October 1981, Marseille, Bouches-du-Rhône, France
November 20, 1961 in Le Mans, France
24 November 1958, Oran, France [now Algeria]
July 23, 2015
Quentin Dupieux is doing something few other directors manage these days: making ridiculous movies with their own language and tone, utterly odd, yet strangely entertaining.
May 15, 2015
It's not that the strangeness is any less appealing, but that there's no more urgency to it - Rubber had a killer tire on the loose, and Wrong had a lost dog...[This] lacks that level of drama
May 22, 2015
It's more eerie than funny, like looking into a distorted mirror and realizing there might be some truth there.
February 22, 2016
This is what it's like to go insane.
May 29, 2015
As a Hollywood satire of zero-budget horror flicks, Reality is never as fresh or savage as its needs to be.
May 01, 2015
The film will only work for you if you expect it not to make sense, and enjoy jokes that go on and on and then suddenly (and repeatedly) jack-knife off a cliff or two.
January 10, 2016
Too bad no one told Dupieux that this pic is a bad idea before he got it green-lighted.
May 14, 2015
The bizarro plot threads, and dippy characters fail to connect in any rewarding way, resulting in a largely unfunny film that proves as repetitive and tedious as the 1971 Philip Glass snippet that provides its entire score.
April 30, 2015
Each narrative fissure further thwarts meaning. The most you can ask from a movie as nullifying as this one is that it offer wit and visual panache, which it does.
April 30, 2015
A viewer can't help but take it as an artistic statement, even though nothing-not even the nods to Mulholland Dr.-suggests that Dupieux's motivated by anything more than a hankering to make something weird and funny.
May 01, 2015
A hilarious and increasingly disturbing series of looping, overlapping and interconnected narratives worthy of Flann O'Brien or Diderot ...
May 04, 2015
Dupieux's movie is all script twists, lacking both the naïve wonder of the films to which he pays homage and the inventive sophistication of grand Surrealist fantasy.

