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Psycho III
After a few months in Psycho II, Norman Bates now meets three new people in is quite motel: a beautiful nun, an unemployed young man and a snooping reporter. Norman shows interest in the nun and hires the young man to take care of the motel while the reporter want to interview his past life. What will happen to Norman and his three new friends when things go wrong?
23 May 1931, New York City, New York, USA
21 July 1952, Texas, USA
1 November 1948, Ventura, California, USA
4 May 1964, Long Beach, California, USA
18 May 1918, Guymon, Oklahoma, USA
1942, Ontario, Canada
1957, Detroit, Michigan, USA
25 June 1944, Los Angeles, California, USA
22 June 1901, Michigan, USA
28 October 1922, Ohio, USA
4 April 1932, New York City, New York, USA
14 July 1925, Galesburg, Illinois, USA
5 January 1931
20 July 1953, Teaneck, New Jersey, USA
29 November 1952, Olean, New York, USA
6 March 1916, Harrisburg, Illinois, USA
29 September 1947, Chico, California, USA
27 August 1955, Savannah, Georgia, USA
August 26, 2004
A twisted tale of sexuality, religion and misogyny
December 27, 2004
Much better than the second.
July 30, 2002
Superior horror sequel stylishly made by star Anthony Perkins
January 01, 2000
The movie was directed by Perkins, in his filmmaking debut. I was surprised by what a good job he does.
December 04, 2004
any fan of the Hitchcock classic whose curiosity was snagged by Psycho II should find something of interest to see here.
October 21, 2008
Perkins tries to imitate Hitchcock's visual style, but most of the film is made without concern for style of any kind, unless it's the bludgeoning nonstyle of Friday the 13th.
October 16, 2013
The problem with this outing, which marked Perkins' directorial debut, is that it largely plays like a run-of-the-mill slasher flick.
September 23, 2013
[Blu-ray Review] Worth a look, but creatively falls victim to a series that slowly declined with each new entry.
May 20, 2003
It has a cast of talented, self-effacing actors, who don't upstage the material, and an efficient screenplay by Charles Edward Pogue, who doesn't beat you over the head to prove that he has a sense of humor.
June 18, 2008
The whole enterprise is dependent almost entirely upon self-referential incidents and attitudes for its effect, and it eventually becomes wearying.
