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Outlaws and Angels
In 1887, three violent fugitives hold a couple and their children (Francesca Eastwood, Madisen Beaty) hostage in their isolated New Mexico farmhouse. An unexpected game of cat and mouse ensues, leading to seduction, role reversal, and ultimately, bloody revenge.
15 February 1963, Albuquerque, New Mexico, USA
21 September 1971, Dallas, Texas, USA
14 December 1970, Salt Lake City, Utah, USA
24 August 1981, Buffalo, New York, USA
11 May 1952, Milford-on-the-sea, Hampshire, England, UK
11 December 1962, Memphis, Tennessee, USA
3 August 1949, Pennsylvania, USA
1 June 1969, Dover, Delaware, USA
July 20, 2016
Unfortunately Mollner isn't able to handle intimate, quiet scenes as well as he does action set pieces or special effects shots.
July 16, 2016
Francesca Eastwood does her daddy proud as the gunslinging heroine of this bloody, revenge-fueled Western more reminiscent of a Tarantino splatterflick than one of Clint's classics.
January 09, 2017
"The innocence or the darkness, which are we?" Josiah asks; Outlaws and Angels goes too heavy on the latter, to its own detriment.
July 18, 2016
A nasty macabre cult Western.
July 14, 2016
"Outlaws and Angels" can't overcome its distractingly showy camera moves or its tendency toward scenes that drag on interminably.
October 24, 2016
...a vicious portrayal of The Wild West...
December 31, 2016
This particular revenge tale isn't an example of incompetent filmmaking, just sadly misfocused storytelling. Life in 1887 wasn't easy, but at some point, there has to be something more to say.
July 14, 2016
It seems another member of Clint Eastwood's brood is ready for stardom.
July 14, 2016
"Outlaws and Angels" isn't perfect - Murray mumbles into his beard way too much - but Eastwood sure is at ease with a cowboy hat and revolver. Clearly, she's studied with the best.
July 14, 2016
Virtually every character has a dark side, and every victim has it coming. That gets old, too.
July 15, 2016
In a sea of grimy indie Westerns, especially ones that started with the same genre canvas, "Outlaws & Angels" is a thoroughly ugly example of when "Tarantino-esque" is the most generous compliment.
