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Only Yesterday
When a single 27-year-old Tokyo girl visits her relatives in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys.
12 September 1979
25 October 1969, New York, USA
14 December 1933, Tokyo, Japan
24 August 1973, Fort Ord, California, USA
20 September 1974, Hartford, Connecticut, USA
5 March 1971, Alliance, Ohio, USA
3 January 1977, Tokyo, Japan
20 September 1966, Los Angeles, California, USA
23 April 1990, Harrow, London, England, UK
14 April 1963, Takanabe, Japan
13 May 1956, Portland, Oregon, USA
22 September 1981, Louisville, Kentucky, USA
10 April 1992, London, England, UK
10 May 1931, Osaka, Japan
August 02, 2016
Only Yesterday is one of Studio Ghibli's films aimed primarily at female viewers ... an intentional story that is emotionally honest.
June 01, 2016
A(nother) animated marvel from one of cinema's unsung maestros.
April 06, 2017
Only Yesterday is easily among Studio Ghibli's very best work.
June 02, 2016
There is real artistry here: it is a must.
February 26, 2016
For those who like their anime unhurried, elegiac, and episodic.
August 22, 2016
With Studio Ghibli in an indefinite haitus, we must cherish their beloved films, and this is one of the very best.
May 31, 2016
Calm, reflective, gorgeously uneventful.
February 26, 2016
The animation is marked by a simple sort of elegance; the story lucidly and lyrically moves back and forth from 1982 to 1966 ...
February 25, 2016
The story of a young woman who moves back and forth between childhood memories and the dilemmas of her current life, "Only Yesterday" is a realistic, personal story made universal in a delicate way.
March 10, 2016
The animation isn't showy, but it's beautiful, providing clear delineations between Taeko's past and present. The attention to detail is fantastic. But the story is what sets the film apart.
March 11, 2016
Half coming-of-age story, half adult drama, the film demonstrates Takahata's belief that animation need not be limited to children's fantasy.

