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Octopussy (james Bond 007)
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DIRECTORS OF "Octopussy (james Bond 007)"
Octopussy (james Bond 007)
CRITICS OF "Octopussy (james Bond 007)"
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Christian Science Monitor
Resource

October 06, 2015

[Director John Glen] keeps the excitement level high for an hour or so, then lets the show slip into the doldrums.
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Common Sense Media
Resource

May 05, 2014

More sexual innuendo than usual in provocatively named film.
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People Magazine
Resource

October 06, 2015

While this film is not up to the level of Goldfinger or Live and Let Die, it is still first-class escapist entertainment.
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Lyles' Movie Files
Resource

October 30, 2015

Considering Bond gets disguised as an ape, a crocodile and a clown, the film has a lot more to be embarrassed about than its title.
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Sky Movies
Resource

October 06, 2015

A solid action movie without the variety show camp of Moonraker, Octopussy (shock, horror) may well the best of the Moores.
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TIME Magazine
Resource

October 13, 2008

Bond had degenerated into a male model, and something of a genial anachronism.
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Radio Times
Resource

October 06, 2015

This was the 13th Bond movie and it's possibly the most frivolous in the series to date (it's certainly the most careless).
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Washington Post
Resource

October 06, 2015

It's a pleasure to report that the James Bond company is confidently back on the beam.
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Time Out
Resource

January 26, 2006

The action sequences are tighter, the visual gags more inventive, and if the plot is no great shakes, the whole thing is served up with a decent approximation to the old panache.
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New York Times

August 30, 2004

Makes no pretense of being based on anything except the Ian Fleming character and the high good humor and wit of the film makers.
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Variety
Resource

October 13, 2008

Film's high points are the spectaccular aerial stuntwork marking both the pre-credits teaser and extremely dangerous-looking climax.
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Chicago Reader
Resource

October 13, 2008

Glen's willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.
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