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Mudbound
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DIRECTORS OF "Mudbound"
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Mudbound
CRITICS OF "Mudbound"
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Daily Express (UK)
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November 17, 2017

Initially slow-moving and measured, Mudbound builds into a powerful drama in which everyone is at the mercy of a deep-rooted racism.
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leonardmaltin.com
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November 16, 2017

Mudboundis easy to admire but tough to watch at times. It tells a truthful tale from America's not-so-distant past. The highest compliment I can pay Rees is that her movie feels truthful.
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iNews.co.uk
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November 17, 2017

A powerfully emotional and all-too-relevant race relations drama that marks out director Rees as a significant talent to watch. Place your Oscar bets now.
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Shockya.com
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November 17, 2017

This nuanced treatment of race relations in the Deep South during and just after the war keeps adding detail until we are well prepared for the melodramatic moments in the concluding segment.
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Little White Lies
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November 17, 2017

A slow and brutal burn, but worth it for the devastating finale.
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Washington Post
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November 16, 2017

Rees isn't content simply to diagnose a punishing, self-perpetuating cycle: This is a film buoyed by humanism that feels chastening, liberating and healing, all at the same time.
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Original Cin
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November 17, 2017

Director Dee Reese uses the lengthy runtime to develop these characters, and we feel genuinely thunderstruck when calamity falls, as powerfully as a punch to the head.
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NPR
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November 16, 2017

The movie harvests so much new feeling from its tragic images of life and death in the Mississippi Delta that Rees' name belongs on any list of the year's best directors.
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Chicago Tribune
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November 16, 2017

We've seen stories like this one before on screen, but what's new, and arresting, about "Mudbound" is how easily and persuasively director Rees moves between these families.
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Rolling Stone
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November 16, 2017

Dee Rees's story of one black and one white family struggling in the WW II-era South is a fiercely intimate epic that couldn't be more timely. Mary J. Blige should be on every Oscar list for best supporting actress.
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Chicago Sun-Times
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November 16, 2017

Redemption and hope eventually shine through here and there, and when that happens, it's a beautiful thing.
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New York Post
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November 16, 2017

Rees always finds balancing notes here - of humanity, passion and true love. It's a tale as messy as its muddy fields, and it's a must-watch.
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