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Month of Sundays
The film is about real estate agent Frank Mollard, who receives a phone call from his mother. The strange thing is that his mother died a year ago. At that moment, this figure turned out to be incorrect, as the two people develop a real human relationship.
29 July 1948, Palmerston North, Manawatu, New Zealand
31 January 1959, Adelaide, South Australia, Australia
1971, Australia
22 May 1957, Melbourne, Victoria, Australia
1936, London, England, UK
April 27, 2016
Admirably subtle and sometimes sweetly funny.
April 25, 2016
Meandering through a variety of relationship issues, A Month Of Sundays doesn't really hits its stride until the end
April 27, 2016
...looks and feels flat...
April 27, 2016
[Director Saville has] given LaPaglia a role so good that it conjures up comparisons with his terrific work in Ray Lawrence's Lantana 15 years ago.
April 27, 2016
We used to make more films like this, with a brain and a heart. Saville shows that we still can.
May 14, 2016
Beautifully mounted, subtle, touching and bitter-sweet comedy drama... a thoughtful, moving, leisurely paced tale about loss and moving on.
April 27, 2016
A quiet, tender-hearted and gently eccentric affair, the Australian-made A Month Of Sundays takes its own sweet time finding a way into your good graces.
February 17, 2016
This modest, warmhearted character study is carried by a solid lead performance from Anthony LaPaglia, who plays a man unable to express his feelings through anything but underhanded snark.
May 04, 2016
The film is slow and boring, with the story weighed down by pointless scenes and a regular hollowness that saps the energy out of the piece.
May 04, 2016
It's a film about letting go, which may not sound very sexy, but Saville plays out this concept on a personal, intimate and relatable level that is powerful and moving.
July 21, 2016
The film as a whole takes a well-worn trope and invests it with an unexpected emotional power.
October 16, 2015
"A Month of Sundays" is so tidily plotted, so committed to its improve-thyself epiphanies, that it never transcends its own artifice.

