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Memory (2006)
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DIRECTORS OF "Memory (2006)"
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HEROES OF "Memory (2006)"
Memory (2006)
CRITICS OF "Memory (2006)"
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Film Journal International
Resource

March 26, 2007

A confused, preposterous, overeager mess.
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Los Angeles CityBeat

March 22, 2007

... tosses us so many hints and red herrings that, by the end, we really don't care who turns out to be the killer. All solutions are equally satisfying, which is the same thing as being equally unsatisfying.
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DVDTalk.com
Resource

May 21, 2007

Wait, what movie were we talking about again?
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TV Guide
Resource

March 23, 2007

Stylish and twisty, but not clever enough to support its more outrageous plot machinations.
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Newsday

March 22, 2007

To what niche does this movie aspire, Michael Crichton sci-fi chiller, Ed Wood camp or neo-'60s grand guignol for former leading ladies of a certain age? You decide.
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PopMatters
Resource

April 01, 2007

The fact that it raises worthy questions concerning experience and recollection, as well as cultural, legal, and political definitions of self with regard to memories%u2014well, that's sort of too bad. They're lost amid forgettable plotty detritus.
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Variety
Resource

June 13, 2007

Considerably better -- and far more intriguing -- than most entry-level horror pics, marrying a retro B-movie setup with the ghostly obsessions of recent Asian extreme cinema.
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L.A. Weekly

March 22, 2007

Adapting his own novel, [director] Davlin seems blessedly unaware of how silly his story is, attacking it with such escalating melodramatic fervor that Memory rises from the disastrously campy to the bizarrely hypnotic.
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Murphy's Movie Reviews
Resource

July 14, 2007

There's an intriguing premise buried in MEMORY ... [but] he execution leaves something to be desired.
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New York Times

March 23, 2007

Filled with labored exposition, stilted line readings and the most unconvincing romantic hookup since Michael Jackson and Lisa Marie Presley.
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Newark Star-Ledger

March 26, 2007

The movie draws upon so many influences -- stylized Hitchcock suspense, surreal Asian horror and the Gothic romance of Britain's Hammer Studios -- it's easier to follow the reference points than the plot.
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