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Me and Earl and the Dying Girl
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DIRECTORS OF "Me and Earl and the Dying Girl"
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CREATORS OF "Me and Earl and the Dying Girl"
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HEROES OF "Me and Earl and the Dying Girl"
Me and Earl and the Dying Girl
CRITICS OF "Me and Earl and the Dying Girl"
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Cinemixtape
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April 15, 2016

Its Sundance buzz wears off well before the end credits roll.
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Cine Premiere
Resource

February 29, 2016

Me and Earl and The Dying Girl is a film that shows that behind the director, there is a new voice with a lot of talent. [Full Review in Spanish]
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Independent Online (South Africa)
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March 02, 2016

There is whimsy, but also a grounded realism in the idea that life is a journey and not always a smooth one.
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Baltimore Magazine
Resource

June 10, 2016

Rachel's dying isn't really about Rachel at all. It's about Greg. In fact, everything that happens in the film is about Greg.
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South China Morning Post
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April 06, 2016

This delicate movie elevates itself from the usual run-of-the-mill schooldays saga with a script that is one part funny, one part tragic and all parts thoroughly human.
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indieWire
Resource

December 31, 2015

Poignant without being melodramatic, overflowing with unforced charm, Me and Earl and the Dying Girl holds a unique appeal that's certain to last.
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New Zealand Herald
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May 04, 2016

Although a touch too hip at times, and twee at others, Me and Earl is a sharply observed teenage drama and a real delight.
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Miami Herald
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December 31, 2015

There's plenty to like here, but the movie focuses on the least interesting person on the screen, a curious choice considering we're talking life and death.
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Associated Press
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December 30, 2015

The filmmaking from Alfonso Gomez-Rejon is hyper-stylized and a bit wonky at times, with a few odd security camera angles thrown into the mix. But it's also energetic and mostly fun to watch, especially the glimpses of their "awful" movies.
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The Atlantic
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October 14, 2015

The biggest flaw in Me and Earl and the Dying Girl is right there in the title: the first word, specifically.
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Entertainment Weekly
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December 31, 2015

Somewhere along the way Earl eases up on the suburban-Wes Anderson whimsy and starts to find its heart, infusing the story's self-conscious cleverness and trick-shot set pieces with something sweeter, sadder, and even a little bit profound.
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Boston Globe
Resource

December 31, 2015

I found myself relishing the skill of the cast and laughing at the sharply turned dialogue while wincing at the self-consciousness of the storytelling and the self-congratulatory pop-culture references.
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