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Marie's Story
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Marie's Story
CRITICS OF "Marie's Story"
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Movie Dearest
Resource

June 02, 2015

Respectfully Catholic and beautifully shot. Isabelle Carre and Ariana Rivoire give stunning, physically rough and tumble performances.
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Christianity Today
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May 06, 2015

Marie and Marguerite's relationship is interesting, but it's the film's religious setting that elevates it beyond melodrama.
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Washington City Paper
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May 23, 2015

May be regarded as uneven (if you're charitable) or forced (if you're not).
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Common Sense Media
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March 29, 2016

Inspirational subtitled film is emotionally intense.
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Oregonian
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May 29, 2015

For the most part, it's a convincingly acted, earnestly told drama that works on the heart and the head.
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New York Times
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April 30, 2015

Though based on a remarkable true story, this clichéd tear-jerker is barely interested in Marguerite's revolutionary teaching methods, focusing instead on the intensity of her connection to Marie.
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Seanax.com
Resource

June 20, 2015

France's answer to The Miracle Worker, Marie's Story is also based on real events, and it is just as much the story of the girl's resolute teacher-like Helen Keller's Annie Sullivan.
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Seattle Times
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June 18, 2015

This film is beautiful in its dappled-sunshine light, and powerful in the story of transformation that it tells.
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NPR
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April 30, 2015

Both [stars] have radiant smiles, illuminating every moment of understanding or empathy. Their rapport warms the movie as surely as the opening scene's sun.
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New York Post
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April 29, 2015

Améris keeps the film tightly focused on the relationship between the two talented actresses, occasionally drawing back to contrast Marie's turbulent early days with the beauty of the French countryside.
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Washington Post
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May 21, 2015

Milks the tears in the home stretch, making little effort to hold the melodrama at bay. The result is a story that everyone can feel great about feeling terrible about.
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Los Angeles Times
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May 28, 2015

At its most provocative, it suggests a tension between spirit and flesh in the nun's maternal feelings. Rather than examine that friction, Améris pushes the narrative in predictable directions.
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