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Marie Antoinette
Marie Antoinette follows Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles, especially the period from a teenage bride to a young woman and eventual queen of France.
14 May 1962, Rome, Lazio, Italy
25 January 1989, USA
23 July 1960, Roswell, New Mexico, USA
3 June 1982, England, UK
1958, London, England, UK
17 July 1984, London, England, UK
16 September 1964, Shaker Heights, Ohio, USA
12 October 1945, Soissons, Aisne, France
15 April 1935, Helena, Montana, USA
29 December 1946, Hampstead, London, England, UK
7 January 1981, Paris, Ile-de-France, France
6 February 1931, Temple, Texas, USA
19 November 1985, Los Angeles, California, USA
29 September 1975, UK
24 November 1965, Kincardine, Fife, Scotland, UK
May 05, 2008
This could be the story of Paris Hilton if she were to be married off to an impotent French Prince instead of dating meatheads armed with camcorders.
July 14, 2007
Coppola successfully has made a period film that doesn't feel like a museum piece.
November 07, 2012
This gauzy interpretation of the French icon as the life of a decadent paparazzi princess is Versailles via Vogue, a frivolous New Romantic confection in which history is less important than emotional veracity.
December 17, 2007
A visually scrumptious version of France's iconic but ill-fated Austrian-born queen, Marie Antoinette.
October 20, 2006
The director squanders a once-in-a-lifetime opportunity to film on the grounds and inside the Palace of Versailles. It's the trappings we get, in richly reproduced costumes and all-over gilt furniture, at the expense of any substance.
April 24, 2009
With her third film, Sophia Coppola exhibits an annoying preference for style over substance.
November 22, 2006
Stunningly original...The masterstroke of Marie Antoinette is how Coppola connects the social order to sexual servitude.
October 20, 2006
Little happens for much of Marie Antoinette, but Coppola is a visual storyteller, and with her first big canvas she creates a giddy world at Versailles in color and light.
October 20, 2006
Coppola's queen experiences no inner transformation or redemption because, in this telling, she's in no need of it. She's cool to begin with.
October 20, 2006
It's history written with truffles.
October 25, 2006
It's very pretty and occasionally amusing but also dreadfully dull for long, long stretches.
