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Manglehorn
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Manglehorn

Description
A.J. Manglehorn is a reclusive Texas key-maker who spends his days caring for his cat, finding comfort in his work and lamenting a long lost love. Enter kind-hearted bank teller Dawn whose interest in the eccentric Manglehorn may just be able to draw him out of his shell
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CREATORS OF "Manglehorn"
Manglehorn
CRITICS OF "Manglehorn"
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The Film Stage
Resource

March 20, 2016

The poetic and the naturalistic clash together, and it doesn't look like it was done on purpose.
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Fan The Fire
Resource

February 26, 2016

Manglehorn is an intriguing film, or at least it should have been. David Gordon Green's latest is unfortunatel y passive, there might be depths to explore on a second or third watch, but I struggled to make it through the first.
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Ozus' World Movie Reviews
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May 05, 2016

Gets a sentimental grip on his flawed character.
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Irish Times
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March 07, 2016

Even set against this chequered history, Manglehorn is an extremely odd picture.
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Boston Globe
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July 02, 2015

This is definitely a lonely-man-talking-to-his-cat movie.
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South China Morning Post
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April 06, 2016

Mostly, Pacino just mumbles drunkenly as Green's camera drifts woozily in and out of focus and post-rockers Explosions in the Sky tinkle on the soundtrack.
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San Francisco Chronicle
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July 16, 2015

At least we get Pacino and Hunter. We may not understand why this story appealed to them, except for the fact that it gave them a chance to work together.
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Chicago Reader
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June 25, 2015

I spent most of the movie admiring Pacino's discipline in the role instead of believing he was the character.
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Seattle Times
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June 25, 2015

Pacino easily captures the character's longtime frustration, though it's Holly Hunter who supplies the story's heartbreak.
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Philadelphia Inquirer
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July 02, 2015

If Manglehorn is to be remembered at all, it shall be for the excruciating first date that its title character goes on with a chirpy bank clerk he has long been chatting up.
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Washington Post
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July 09, 2015

Sure, there's an undeniable pleasure from watching Pacino and Hunter work the screen, but the syrupy, symbol-heavy script by first-time feature writer Paul Logan is weighed down further by cliches and false notes.
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