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Lovesong
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Lovesong
CRITICS OF "Lovesong"
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Film Journal International
Resource

February 16, 2017

Discretion is the better part of boredom here.
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Movie Talk
Resource

October 16, 2016

There's nothing clear-cut about Sarah and Mindy's feelings for one another and Lovesong conveys the complexity of their emotions with tenderness and restraint.
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Slant Magazine
Resource

February 12, 2017

So Yong Kim's film ultimately manages a convincing articulation of friendship between women.
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NYC Movie Guru
Resource

February 19, 2017

Tender, poignant and refreshingly true-to-life. Riley Keough and Jena Malone give raw performances. It's more powerful than Moonlight!
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Austin American-Statesman
Resource

February 14, 2017

I think it's [So Yong Kim's] strongest picture yet and proof that even with a small budget, the right casting decisions can take a project from good to great.
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indieWire
Resource

February 17, 2017

The overall effect is one of a disjointed love story that can never quite find the tune, no matter how skilled its players.
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L.A. Biz
Resource

February 17, 2017

A simple, though achingly insightful, story that illuminates the intense, complicated affection between girlfriends with sensitivity and restraint.
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Los Angeles Times
Resource

March 06, 2017

A character study of this relationship, casually yet carefully sketched out by Kim in subtle but meaningful gestures and glances. Much is communicated through the eyes, searching for answers in the void of what's not said, but felt.
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RogerEbert.com
Resource

February 17, 2017

Kim has wisely provided her two stars with enough breathing room to bring her movie to life.
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New York Times
Resource

February 16, 2017

Little is resolved, and it will leave you contemplating the mysteries of relationships.
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Time Out
Resource

February 17, 2017

Kim's latest -- like Carol made on an indie budget -- is split in two exquisite halves.
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TheWrap
Resource

February 17, 2017

There are glances and nervous hands, longing gazes, and downcast faces needing explanation or consolation. Malone and Keough, perfectly cast and perfectly in sync as people who should be - but probably never will be - lovers, make sadness seem enticing.
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