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Léon: The Professional
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Léon: The Professional

Description
Mathilda started her life as a younger teenager with an abusive father and a negligent mother, they meet their waterloo and got murdered by crooked DEA agent Stansfield, she has to survive under hired Leon; a hitman for mobster Tony, learn his ways and avenge her parents.
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DIRECTORS OF "Léon: The Professional"
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CREATORS OF "Léon: The Professional"
Léon: The Professional
CRITICS OF "Léon: The Professional"
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Suite101.com
Resource

October 24, 2014

Luc Besson's original cut feels more like a journey than just a joy-buzzer jolt of action, and the deeper, braver, darker story he set out to tell - a fractured and fractious fairy tale. When people rave about "The Professional," they mean "Léon."
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Radio Times
Resource

June 04, 2014

Funny, tragic, brilliant and unmissable.
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South Florida Sun-Sentinel
Resource

June 04, 2014

The Professional is intriguing, but misses the mark as a potential cult favorite.
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The Blu Spot
Resource

November 17, 2015

Leon: The Professional is a wonderful character study, enriched by outstanding performances, thrilling action, and a well-rounded script that gives the film an intriguing amount of depth.
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sbs.com.au
Resource

June 04, 2014

No matter what uncomfortable undercurrents the film gives rise to, Besson's skill with action is inventive and creative (and of course over the top).
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Orlando Sentinel
Resource

June 04, 2014

The Professional is strictly amateur-hour.
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Creative Loafing
Resource

November 14, 2015

A favorite of IMDb fanboys and reportedly of pedophiles as well, Leon: The Professional is noteworthy as marking French helmer Luc Besson's first American production as well as showcasing the film debut of a then-13-year-old Natalie Portman.
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Rolling Stone

June 04, 2014

Leave it to french writer-director Luc Besson (La Femme Nikita) to put a kinky twist on Orphan Annie and Daddy Warbucks.
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Seattle Times
Resource

June 04, 2014

Like Quentin Tarantino, Besson has a singular style and directorial sensibility that keeps you watching.
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New Yorker
Resource

June 04, 2014

The most objectionable thing is Gary Oldman's performance, baroque in its awfulness. Almost as bad is the director's attempt to construct a visual style -- and, for that matter, characters -- by piling one mannerism on top of another.
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Chicago Tribune
Resource

June 04, 2014

The sheer craziness and excessiveness of the movie -- no crazier, perhaps, than many of the American action movies it copies -- never finds a center of gravity.
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Philadelphia Inquirer
Resource

June 04, 2014

Ultimately, like La Femme Nikita, there may be less here than meets the eye. But what does meet the eye is pretty darn thrilling.
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