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Ip Man 2: Legend Of The Grandmaster
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Combustible Celluloid
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April 21, 2011

Ip Man 2 is frankly one of the very best Hong Kong/martial arts movies I've seen in years.
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Killer Movie Reviews
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January 30, 2011

While the film as a whole is a graceful, yet lethal, dig at chauvinism as well as imperialism, that is no impediment to it also being both an engrossing drama and a dynamic martial-arts flick
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eFilmCritic.com
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January 31, 2011

When Donnie Yen is up there defying gravity and seemingly breaking the sound barrier with his fists, a lot is forgiven.
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Honolulu Star-Advertiser
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June 22, 2011

It's a second installment of a film bio of Ip Man, and it's pretty much made-up nonsense, but few will care, as it's also great fun.
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Slant Magazine
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February 02, 2011

Despite this slackening of narrative urgency, Wilson Yip has duplicated the flawed approach of the earlier movie with striking exactitude.
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Los Angeles Times
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January 27, 2011

The film's fight choreography is again handled by the legendary Sammo Hung - he also now has a supporting role and incredibly shot his own fight scenes while recuperating from heart surgery - and that alone makes the film worth checking out.
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ReelTalk Movie Reviews
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April 23, 2011

The movie is simply an entertaining second chance to see more of this man of character in action.
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Minneapolis Star Tribune
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March 17, 2011

One of the highest-grossing films in Hong Kong history, but it doesn't add much to the crowded history of martial-arts movies.
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Seattle Times
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January 27, 2011

"Ip Man 2: Legend of the Grand Master" is distinguished by a string of stylishly choreographed martial-arts combat scenes, though barely serviceable in its storytelling.
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Village Voice
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January 25, 2011

A redundant if nonetheless occasionally thrilling follow-up bolstered by star Donnie Yen's precision combat skills.
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New York Times

January 27, 2011

Director Wilson Yip keeps the movie moving as fast as the whiplash action.
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New York Post
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January 28, 2011

"Ip Man 2" has eye candy to spare. But it is lacking in formalities such as character development and plot coherence, and the stereotyped Brits are straight out of central casting.
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