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Insidious: The Last Key
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DIRECTORS OF "Insidious: The Last Key"
Insidious: The Last Key
CRITICS OF "Insidious: The Last Key"
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EricDSnider.com
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January 06, 2018

This barely recommended effort doesn't offer much hope for the series' creative energy.
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Lainey Gossip
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January 06, 2018

Insidious: The Last Key isn't even enjoyable in a bad horror movie kind of way, because it is at no point fun.
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NYC Movie Guru
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January 06, 2018

Mildly engaging, but lazy and inane with very few scares, little suspense, and no surprises. The charismatic Lin Shaye is its only asset. She deserves a far better screenplay.
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Film Inquiry
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January 08, 2018

Lin Shaye continues to offer the best performances in the horror genre and The Last Key rewards her with a bigger meatier role. Even though the film detracts during the climax, it's able to overcome it by having a strong story.
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Common Sense Media
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January 06, 2018

This fourth entry in this successful horror series is an example of diminishing returns; though the characters are still interesting, it's clear that less care and attention were given to this movie.
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Detroit News
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January 05, 2018

If you've seen one "Insidious," you've seen them all.
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Black Girl Nerds
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January 07, 2018

Lin Shaye's performance grows in complexity with each entry, and this is the most intimate introduction to the character to date, as effective for newcomers and series regulars alike.
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Chicago Sun-Times
Resource

January 05, 2018

The Insidious timeline is becoming so murky, even a scary ghost lurking behind a locked door in the basement might give up and say, "Time out! Am I even supposed to be in this particular story? Who am I haunting again, and what's my motivation?"
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ReelViews
Resource

January 05, 2018

Of the four Insidious films, only one has been any good and, although The Last Key may not be the worst of them, it's easily the most irrelevant and generic.
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NPR
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January 04, 2018

Four films into the series, the layout of the spirit realm has become too familiar, a soundstage of fog machines and grotesquerie that Robitel and Whannell haven't populated with any fresh shocks.
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RogerEbert.com
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January 05, 2018

This one is almost good.
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New York Magazine/Vulture
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January 05, 2018

The fourth installment of Leigh Whannell's ghost-and-mediums horror series wraps up its own free-association illogic with an impenetrable tangle of woo-woo spirit-world mechanics and lingo.
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