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I Am Number Four
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I Am Number Four
CRITICS OF "I Am Number Four"
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Big Hollywood
Resource

June 30, 2013

A solid but unspectacular story that is aided geatly by its four likeable leads.
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American Profile
Resource

September 09, 2011

The epic computer-generated alien smackdown is settled in a battle zone well known to any teen: high school hallways and the football field.
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Shadows on the Wall
Resource

September 17, 2011

It's very silly, but also thoroughly entertaining because it gives us exactly what we want.
Fmovies
Blog de cine
Resource

April 01, 2016

A horrible mess that embodes the worst from two different worlds, the most sappy teen romance ever and a souless superhero story. [Full review in Spanish]
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Cinema Crazed
Resource

November 21, 2011

I really hope a sequel comes along to answer our questions and close up some loose threads.
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Houston Chronicle
Resource

February 18, 2011

Granted, I Am NumberFour is a little better and makes loads more sense than Eagle Eye, Caruso's most recent vehicle for comely young actors in peril. But neither one has the sass and pluck of Disturbia. Watch that instead.
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We Got This Covered
Resource

July 24, 2013

Though geared towards a young adult audience, I Am Number Four entertains with sleek special effects, scary aliens, and superhero action.
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Washington Post
Resource

February 24, 2011

The young "Four" cast appears to have been plucked from an Abercrombie & Fitch catalogue - which isn't an issue until you realize that the characters they're playing are about as thin as the pages in that Gen-Y fashion Bible.
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Newark Star-Ledger
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February 18, 2011

Pettyfer - a child actor turned model turned self-satisfied hunk - isn't much except blond hair and good cheekbones as our hero.
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Film.com
Resource

February 18, 2011

Perhaps February's recent history as a movie "dumping ground" has me feeling overly generous, but "I Am Number Four" was an enjoyable romp.
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Entertainment Weekly
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February 19, 2011

The sci-fi-teen romance I Am Number Four is witless, insultingly derivative, muddy-looking, and edited in the hammering epileptic style that marks so many films produced, as this one is, by Michael Bay.
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Time Out
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February 23, 2011

The door is left wide open for a sequel, but it's hard to imagine there'll be much call for it.
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